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  #1  
Old 11-06-2000
Rev E Rev E is offline
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I recently decided to add a new synth or two to change up my sound. Since I'm in the market, I've been in the music store checking out some really nice synths. I've really begun to fall in love with the Roland sound (considering getting an XP30). I have access to a korg Trinity and like it very much also. I've hear really good things about the Triton (but when I tried it soon after it came out... it's "pre hype" days, I didn't remember it being the "knockout punch" that everyone NOW says it is... although I though there were some good sounds in there). I'm also liking the E-mu stuff... I recently check out the Proteus 2000 (liked it- -but for the most part... very safe sounds), but I'm waiting to hear the Mo' Phatt before I buy one of those.

So what synths are you guys into lately?? and Why??? Also tell the general styles that you're into. I do a variety from Pop to R&B, some Hip-Hop and some modern orchestral. Right now, I use a Roland JV 1010 module (will probably sell it for a Roland board with keys), an Ensoniq KT-76, and Alesis QS 6.1 and a LM-4 Drum Module plug-in. So as you can see my "sound" is pretty "safe". I'm going for something that can do some really wild and extreme stuff.

Rev E
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  #2  
Old 11-06-2000
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I'm using a Roland MC-303 and a Nord Modular.
I like Roland equipment too, and they do usually sound good. I've noticed that most of their things have a tendency to sound "nice", with a distinct lack of "nasty" sounds. This does not go for the earlier analog things, like the TB-303, for example.
This is however made up by the Nord modular that can make any analog sound imaginable some more.
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Old 11-06-2000
CyanJaguar CyanJaguar is offline
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hey REV E. I remember you. Youre the law student hu gave me advice the other day that i didnot pay for. THanks.

I am in the market for a JV 1010 module. About how much are you looking to get for yours?

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Old 11-06-2000
Rev E Rev E is offline
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Hey CyanJaguar:

I'll just add the "free advice" to the bill for the JV1010. It's about 4 months old. Great sounds. In great condition (studio use only) I'm looking for $320, I'll pay shipping. Are you interested?

Rev E
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Old 11-06-2000
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I wanted to email you but

your email was blocked, so I have to reply here.
I am very interested. Can you email me with your email address or phone number so that we can talk.

thanks
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Old 11-06-2000
Rev E Rev E is offline
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CJ:

Check your email. I just sent a message with my email and phone #.

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Old 11-19-2000
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When you think about adding a keyboard, I guess you try to fill a hole in your collection. That's the case for me. My stuff includes a Kurzweil PC88mx and K2000S, Korg DSS-1 and EX-8000, Yamaha TX81Z, Minimoog, Roland R8.

So there are two types of keyboards I've been considering for a while. One is a good B3 organ sound. I think my first choice would be the Hammond XK-2 and a Motion Sound Pro-3T. I'm a bit of a prog-rock dinosaur and I like the Wakeman/Emerson/Genesis thing. Also some Deep Purple stuff. (None of them used a Leslie actually, but I like the sound anyway.) I'm wondering how the new Korg CX3 is compared to others.

The other thing I'm thinking about is some kind of virtual analog synth. I've got analog somewhat covered with the EX-8000 and the Minimoog. I'm not sure yet why virtual analog is better than real analog, but then I haven't played the VA synths much. I only played with the Nord Lead a bit, and I really liked the pitch controller. I'd also like to check out the Waldorf Q, although it's very expensive. I'm wondering if I should consider something cheaper instead, like a Nord modular or a Korg MS2000/R, just to get it out of my system. I'm also a big fan of Vangelis. Some of his older tradmark sounds sound to me like a Roland---maybe a Jupiter 8. I wonder if I can get a sound like that from a VA.

Some people say that even the K2000 can have a analog-ish sound. Although I think that sample-based synths are too grainy sounding, not smooth. Now listen to Keith Emerson's modular Moog on ELP's triple live album. There's a BIG sound. I've never yet found a keyboard that can sound like that. I'm wondering if there's a VA keyboard somewhere that can do it.

OK, way too much rambling. I'd better stop.

Jim
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  #8  
Old 11-22-2000
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My fav was my Kurzweill K2000, long departed.
For classical stuff, Proteus is great.
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  #9  
Old 11-22-2000
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The Kurzweill K2000 sure has the best of the piano sounds - does anyone know about the B4. I believe it's a virtual synth from Steinberg...anyone know about it??

Cheers
john
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Old 11-23-2000
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The B4 is a virtual Hammond B3. It's available as a standalone program or as a VST 2.0 plug-in. You can find more info at:

http://www.cubase.net/

There's also a link to a demo version there.

Jim
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  #11  
Old 11-26-2000
Rolex Tha Tima Rolex Tha Tima is offline
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Question

Rev E

How is that Alesis QS? I seen it in Musicians Friend but really havnt heard much about..I make rap/hip hop beats so how would it be? I really havnt heard of many producers using it thats why I ask..
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  #12  
Old 11-28-2000
Rev E Rev E is offline
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The Alesis QS and Hip Hop

Rolex,

The Alesis QS is a fine keyboard and is a great value considering the price and the features. It's probably not the board that you would get for the "out-of-the-box" hip hop sound. Most of the instruments are thin on the low end. It just doesn't stand up to the low frequency needs of the typical hip hop producer. That's why I sold mine. There are a lot of great pads, synth leads and other hi frequency instruments that make sense for Pop and New Age, but not for Hip Hop or R&B. When I bought it, I bought it I bought it to use it as a sample reader. I bought a Flash RAM card and loaded it with my own custom drum samples. It worked for that purpose, although it was at times a longer process than I wanted.

There are a lot of great boards that have heavier low end instruments and much better drums than the QS for Hip Hop work. I favor the Roland sound now. Also check out the Korg Triton and the Emu modules such as the new Mo Phatt or the older Planet Phatt. Even Emu's Proteus 2000 has a wide variety of Hip Hop and traditional sounds that would be a good general purpose addition. I've also hear good things about the Korg Electribe boxes, although I wasn't as impressed when I auditioned them and read the fine print. Also consider a sampler (software of hardware) if you don't have one. I think that that's one of the more powerful investments for Hip Hop!

E
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Old 12-12-2000
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help with upgrading

I am relatively new at recording. I began in 1997. I am a licensed electrician in Ohio. I own(vs1680,kurzweil k2500xs,alesis monitor twos,quadraverb,akg, and sennheiser mics,a computer w/gina soundcard and breakout box,cakewalk professional 6 or 7, the 1 effects card for the 1680. I have been told by many that I have what I need to take my music where I want. My goals: I want to start my own publishing/production company to create and exploit my original music and that of others. Can any who have experience at this level suggest further item for the studio to enhance creativity, and better sounds, those that are more up to date. I've visited a studio in Detroit, that would do consultation with me, but of course that costs. I am ok on the 1680,and I do almost all of my music out of the kurzweil. No samples, no drum machine. I intend on purchasing an mpc3000 soon. I do not have a sound booth yet, but it is coming. But as far as equipment useful in the genres of R&B, pop, some smooth jazz,and a little hip-hop,I'd like some suggestions. I am not as efficient as I'd like to be using my computer equipment. Please help!!! Thanks.

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Old 12-12-2000
Rev E Rev E is offline
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Daddy P,

The Kurzweil k2500 is a great keyboard/workstation/sampler! I play a K2500 at church. Have you really blown this instrument using it's sample capabilities? The K2500's factory sounds are great quality but you would need more in the drums area for hip hop work. An MPC3000 would be nice, go for it when you can. But for now, I would suggest using your K2500 to it's fullest capabilities (as a sampler or sample player). Keyboard magazine has companies advertised in each issue that make samples for various formats. If you haven't invested in buying new instrument samples for the K2500, then go for it. If you have already bought and used samples for your K2500, then just keep doing what you're doing.

Rev E
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  #15  
Old 12-12-2000
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The only keys that I have played in the last year that I really like are the Waldorf Q and the Roland RD-600 digital piano. The Waldorf is a good cross between analog and digital, would love to hear what it sounds like at home but for $2600 it's way too much. The Korg MS2000 has some really high quality sounds but the polyphony is too low (4 voice)

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Old 12-12-2000
DADDY P DADDY P is offline
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Question more k2500xs questions

Hello Rev, it's DADDY P. You responded to my post on upgrading my studio. I was hoping to purchase the mpc2xl not the 3000, I thought I edited that error. I've heard it is a must buy!!! Also as I mentioned in my post, I am relatively new to the whole recording world(1997) I simply create all my own original music,having had no formal training. I don't really think it is an ear that I have seeing that as of yet I don't think I could just play what I hear. But my further questions were concerning using the sampling capabilities of the 2500!! I know I am not using it to it's full potential!! I know nothing about sampling!! Can u give me some input? This is also open to any others who can give input on using the sample capabilities of my k2500xs
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  #17  
Old 12-12-2000
Rev E Rev E is offline
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Your K2500 can read samples through its Floppy disk port (right now). Also, you can expand your K2500 by adding more RAM (so that you can load larger sample libraries into your K2500). You can also add a SCSI CD-ROM or Zip disk through the SCSI port on the back of the instrument. By loading new sampled instruments (through the floppy drive or the SCSI port) you effectively have totally new sounds without buying a new keyboard. Even if you're not using loops, you should at least be buying sample libraries (especially drums for Hip Hop) so that you can get a sound that's different from the factory sounds. While they are good, the factory sounds leave a lot to be desired for Hip Hop.

All of these expansions that I refer to can be done through any authorized Kurzweil support center or dealer. You can also expand your K2500 to include the sampling function, where you can now sample live audio, etc... Basically, with that board, the possibilities are endless, as long as you have the money for the upgrades.

At my church, we don't use any of the advanced features of our K2500 or our Trinity ProX. And since, I can't take either of these two monsters home, I can't really do much about this fact. But if your own one at home, theres no reason that you should be restricted to using just the factory ROM sounds with such a powerful workstation.
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Old 12-12-2000
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The k2500 can also load samples from an internal HD (if you buy one).

The only problem with the kurz is that while it reads it's on format,
other formats like Roland Akai Ensonic don't always load well as they might be missing data, or you have to edit the samples to fix the attack decay etc....

It is such a deep keyboard that to reprogram it, you need to realy get your hands dirty. And being such a comlicated beast, it is better to buy only Kurz format as somebody has done all the work for you.






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  #19  
Old 12-12-2000
CyanJaguar CyanJaguar is offline
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hunh???

daddyp,

you want to EXPLOIT your original music and that of others?
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  #20  
Old 12-13-2000
DADDY P DADDY P is offline
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Thanks Rev and Shailat for your responses. It will definitely give me some options. Another question though, you were speaking of buying sample librairies, cd roms, and zips. How would using these components differ from buying modules. For instance I really like the korg triton. I almost bought one, but the music store salesperson helped me to see that I didn't need to buy another keyboard, as you mentioned, but that I could use the sample option. but I have also heard and viewed the module(for the triton) in a catologue. So would I be able to get those kinds of sounds without purchasing a module.? I mean would korg offer it's sounds on a floppy or cd rom, or zip? You see where I'm going? I'm just trying to explore my options without needlessly wasting money, by being redundant with my purchases!! ie; Would it be advantageous for me to purchase cd roms, zips, and floppies to achieve my goal along with the modules, or would that be basically buying the same things twice? I hope you all get the gist of what I am asking!!! This is in reference to again using the sampling capabilities of my k2500xs.. Thank you in advance for your help!!
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  #21  
Old 12-13-2000
Rev E Rev E is offline
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Elizabeth, I think this is the BIG ONE! -Fred Sanford

Daddy P,
This one's going to be long. But there's not way to tell the "whole" story without all of the details, so read at your leisure. -E

If you already have a K2500 "keyboard" and you want to add different sounds that are different from what you currently have, you can go two ways WITHout having to buy a new "keyboard". The important word is "keyboard", because it's cheaper to buy sample CDs or modules than it is to buy the "keyboard" version of an instrument. That is, a sample CD may cost you $100, a good module may cost you $400 (Roland JV1010) to $1600 (Triton/XV5080). The "keyboard" version of the Triton costs $2100+, depending on the options that you get with it. So, the salesman is right. You don't necessarily NEED another "KEYboard", you may just need new samples for the K2500 OR a new module. So this one is your call, because it depends on how much money you have and are willing to spend.

SAMPLE PLAYBACK Option: Advantages and Disadvantages
The main Advantage to getting sample CDs is that if you find the right one(s) that you need, it would cost you much LEss than getting a new high quality module or keyboard. Plus, sample CDs usually have higher quality individual sounds than you can usually find in a keyboard or module. The main DISadvantage is that samples take time to load into your machine. (a few minutes, usually) Sometimes after all of that load time, you realize that the sound was Not what you were looking for (aarrrg!!). So the waiting game could be frustrating and take away from valuable music time. Don't forget, however, that Kurzweil has a PRAM option that can save your samples internally after you turn your machine off, so you may not have to reload something that you want to use (mo' $$$). Secondly, in order to go the sample playback route on the K2500, you're going to need to expand you RAM to a minimum of 16MB to be able to load the average sample bank (of multiple sounds). Plus, you'll need to buy a SCSI CD-ROM for your K2500 in order to load the sounds (most samples come on CDs). So you have some upfront costs (SCSI CD-ROM and more RAM, assuming that you did not expand your RAM from the standard 4 MB sample RAM included).

SOUND MODULE Option: Advantages and Disadvantages
The Main Advantage to going the sound module route is that you have instant access to the sounds right from the go. Thus, you save the loading time that you would have spent in going the sample playback route. If you find the "right" module(s), you can get "quality" sounds that can compete with the average "sample CD" sound. The main disadvantage to the module route is the lack of expandability. With many modules you can't expand them and add new sounds. Also, some modules don't give you the best in high quality sounds, compared to sample CDs (and in the mind of a serious musician, it's all about the "sound", as in high quality).

Some Words about the KORG TRITON/XV5080
The Triton is MORE than your average sound module. Korg put out the Triton to bridge all of the gaps associated with the "sound module/sample playback" dilemma. The Triton has some of the best high quality sounds (superior as a sound module) AND the Triton can also play SAMPLES (Akai format samples, I think). So with a SCSI CD-ROM you could play samples through your Triton if you wanted to go that route. Also the Triton has some other expansion boards that add entirely new soundsets to the machine without going the sample playback route. Korg isn't the only company that has such a product. The Roland XV5080 is very much like the Triton. The XV5080 has Roland's best sounds built in (superior sound module) AND it plays SAMPLES. Plus you can expand it with Roland's XV expansion boards or SR-JV80 expansion cards.

If you're interested in a lower cost option to the Triton or the XV5080, check out the Emu Mo' Phatt. I have the Mo' Phatt and the lower price does NOT mean lower quality. It's full of Great drums, phatt basses and other "real" hip hop and R&B-type sounds. Plus, it can be expanded with Emu's line of expansion cards. It runs about $700. If interested, check out http://www.bpmmusic.com They've got the best price that I've seen. And NO, I don't work for them.

So you do have options, now you just gotta pick one.

Rev E
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Old 12-13-2000
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Buying good sample Cd's can cost you up to $300 a piece in Kurz format.

An audio cd that costs $100 will cost you in time and energy. It's a lot of work to set them up so the Kurz can work well with them -editing-looping etc..... Do you know how much work you have to put into a Audio Cd for multisamples op Brass ?!?!?. See you next decade.
A good brass kurz format will cost you at least $300.

A sample CD is usualy only one style and tends to focus on an instrument like drum loops or only funk or hip-hop.

My opinion (I own a k2500) is if your looking for quality samples of instruments, and need authentity, or you dont know 9or want to) program loops yourself, go with the Cd's (I also think you need at least 32 Meg of sample RAM).

Other wise go with a module.
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Old 12-14-2000
DADDY P DADDY P is offline
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Thanks again guys for your help!! I will try and digest all of this info. It is nice to finally find someone who actually either owns or works with the 2500. Makes it alot easier. If you guys ever have any more advice. Bring it on!!! Thanks!!!
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Old 12-14-2000
DADDY P DADDY P is offline
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Hello,again Rev. I noticed that you are also from OHIO. I was wondering if u do any studio work outside of what you do at church? I am very interested in your expertise in many of the areas of the music industry. If u do any work outside of church, let me know what it is that u do. Thanks

DADDY P
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Old 12-14-2000
Rev E Rev E is offline
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Daddy P,

I just sent you a personal email. Check your box and get back to me.

-E
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