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  #1  
Old 11-30-2005
Robert D Robert D is offline
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DMP3 / RNP inches or miles?

Ok, the DMP3, the little box that could. Clearly the underdog. Never badmouthed, even the gear snobs have to give it it's props.
The RNP, priced something like 3 times higher, expectedly a notch or three higher than the DMP3.
So, can anyone familiar with both units characterize the difference between them. Is a DMP3 to RNP upgrade a 3x improvement, or is this already into the diminishing returns rule. Is it possibly a case of "either will do nicely on instruments, but the RNP is way better on Vocs"?
Share your thoughts, please.

-RD

Last edited by Robert D; 11-30-2005 at 12:43..
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Old 11-30-2005
Harvey Gerst Harvey Gerst is offline
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I own both. The RNP is in a very different league.
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Old 11-30-2005
jonnyc jonnyc is offline
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By different Harvey do you mean better?
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Old 11-30-2005
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IMO, the RNP is a lot more musical than the DMP3, which can be a touch unforgiving and a little harsh in the highs. The RNP is extremely clean and musical, especially for the price. I wish I still had mine.

Also, the DI on the RNP versus the DMP3 is not even a contest. The RNP DI is one of my favorites.
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Old 11-30-2005
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I own both and agree with Harvey. The only A/B tests I've done to compare them have been on a floor tom and kick drum... but I could hear a significant difference. The RNP was fuller, bigger, better sounding.

I wouldn't be comfortable saying the difference is in inches or miles... but if I had to choose between 8 channels of RNP vs. 8 channels of DMP3... that would be an easy choice (RNP).

However, the DMP3 is definitely a step up from the pres in my Mackie VLZ or my drummer's Yamaha MG.
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Old 11-30-2005
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So to ask a continuing question....

If you had to get four channels of these pres...would you get one of each because of the differences? Or would you just get two RNP's? Or two DMP3's?

Jacob
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Old 11-30-2005
Robert D Robert D is offline
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Hi Harvey,
Thanks for the brief reply. In your case I'll apply the appropriate weighting to the term "very". In regards to vocs, I don't usually use my DMP3, prefering one of my more colored pres - most often my Focusrite Trakmaster with either my NTK or MK319. So is the RNP a move more in the Grace 101 direction (extreme clean/wire with gain), or is does it have some "Character"?

Oh, hey....while I've got you on the phone, I was thinking of picking up a LOMO head for my 012 kits. Given my two main vocal mics above, would this be a good add.

thanks, RD
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Old 11-30-2005
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The answer to this question would be almost solely predicated on whether you feel that there is a large difference between lower-priced mic pres and the higher-priced ones in general.

That's the question you should be asking, and luckily there are plenty of threads devoted to that very topic that you can quickly and easily research.
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Old 11-30-2005
Robert D Robert D is offline
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Quote:
Originally Posted by cominginsecond
extremely clean and musical
I like those two terms in the same sentance. I tend to think of them as often mutually exclusive.

-RD
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Old 11-30-2005
StevenLindsey StevenLindsey is offline
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Quote:
Originally Posted by jkokura
So to ask a continuing question....

If you had to get four channels of these pres...would you get one of each because of the differences? Or would you just get two RNP's? Or two DMP3's?

Jacob
I'd get the four channel Sytek and two RNCs. The Sytek is sweeter sounding than the RNP (IMO) and also quieter. More "neutral" I'd say, I guess....better for stacking tracks. But no DI. Check into the Sytek.

The RNP is a great pre though. It has a bit of a bite in the mids-highs that can be good. And, as mentioned, it is a very good DI for bass or guitar, especially with the RNC.

I've enjoyed having both the RNP and the Sytek. The two cover a lot of bases.

Keep in mind these are the opinions of an idiot.
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Old 11-30-2005
StevenLindsey StevenLindsey is offline
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Another plus for the RNP is the headroom. Lots of headroom. I love that.
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Old 11-30-2005
Robert D Robert D is offline
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Quote:
Originally Posted by chessrock
The answer to this question would be almost solely predicated on whether you feel that there is a large difference between lower-priced mic pres and the higher-priced ones in general.

That's the question you should be asking, and luckily there are plenty of threads devoted to that very topic that you can quickly and easily research.
Good point, and I've read most of those threads. I sway heavily towards the mic side of the "which is more important" argument, though I certainly don't think that a pre is a pre is a pre. As always, I'm looking for the best return on my measly annual budget for audio toys.

-RD
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  #13  
Old 11-30-2005
Raven586 Raven586 is offline
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Well I own both these preamps,and side by side I was rather disapointed.
{Not much difference.}
But when you put them in a dense mix 20,30,40 tracks.
The RNP blows the doors off the Dmp3.
Highly recomended, especially when its partnered with a RNC.

Lee.
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  #14  
Old 11-30-2005
Harvey Gerst Harvey Gerst is offline
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Quote:
Originally Posted by Robert D
Hi Harvey,
Thanks for the brief reply. In your case I'll apply the appropriate weighting to the term "very". In regards to vocs, I don't usually use my DMP3, prefering one of my more colored pres - most often my Focusrite Trakmaster with either my NTK or MK319. So is the RNP a move more in the Grace 101 direction (extreme clean/wire with gain), or is does it have some "Character"?

Oh, hey....while I've got you on the phone, I was thinking of picking up a LOMO head for my 012 kits. Given my two main vocal mics above, would this be a good add.

thanks, RD
IT has the clean transparent sound, but it has some color as well. It almost sounds like you've cleaned a dirty window (actually, more like you've smashed the dirty window).

As far as the LOMO head is concerned, we use it here a lot, on everything from Marshall stacks to vocals. It's a very warm mic.
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  #15  
Old 11-30-2005
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I have the RNP/RNC combo and am considering a ribbon mic. People one this board with ribbon mic's say that the pre amp is extremely important. Is the RNP able to handle a ribbon mic?
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  #16  
Old 11-30-2005
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I am thinking of upgrading my pre in the near future. Any of you guys with both these preamps have a small snippette of something you could post, that is the same, except for the different pre's? I would love to hear something, and maybe see if I could tell a differece. I have a DMP3 now, and an RNC. The RNP seems like a good deal, but I have no experience myself.
Thanks, guys.
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  #17  
Old 11-30-2005
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Quote:
Originally Posted by cnix
Is the RNP able to handle a ribbon mic?
IMO, yes. If you're recording a whisper-quiet vocalist, you may have a little bit of a problem with the preamp noise.
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Old 12-01-2005
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I think it's all about inches at this point. And as you know, sometimes a few inches can make a big difference. : )

When you get into "miles", then I think you're getting more into the players and their abilities, the song, the arrangement, and the production.
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  #19  
Old 12-01-2005
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There's a couple of informative comparisons in the links at the bottom of this page for similar threads. I have the DMP3 but have never compared it with the RNP.
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Old 12-01-2005
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Quote:
Originally Posted by cnix
I have the RNP/RNC combo and am considering a ribbon mic. People one this board with ribbon mic's say that the pre amp is extremely important. Is the RNP able to handle a ribbon mic?
Don't own a RNP (wish I did) but there was a thread a while back where a couple people weren't able to get enough quiet juice out of their RNP for a ribbon. I am using a SP VTB-1 for my ribbon, which works great and is cheap.
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Old 12-01-2005
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Here's an eye opening thread from a while back. It starts to get real interesting on post #37. It's a comparison using acoustic guitar. Unfortunately the links don't have the clips anymore.




http://www.homerecording.com/bbs/sho...light=DMP3+RNP
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Old 12-01-2005
jkokura jkokura is offline
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Quote:
Originally Posted by StevenLindsey
I'd get the four channel Sytek and two RNCs. The Sytek is sweeter sounding than the RNP (IMO) and also quieter. More "neutral" I'd say, I guess....better for stacking tracks. But no DI. Check into the Sytek.

The RNP is a great pre though. It has a bit of a bite in the mids-highs that can be good. And, as mentioned, it is a very good DI for bass or guitar, especially with the RNC.

I've enjoyed having both the RNP and the Sytek. The two cover a lot of bases.

Keep in mind these are the opinions of an idiot.
Sorry, no disrespect, but I didn't ask if you'd get four channels of sytek. So...would you get four of one, or two of each?

jacob
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Old 12-02-2005
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Old 12-02-2005
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Quote:
Originally Posted by cominginsecond
IMO, yes. If you're recording a whisper-quiet vocalist, you may have a little bit of a problem with the preamp noise.
Are you saying you might have a problem with noise with the RNP on a ribbon, or any mic with a whisper quiet vocalist? And in that particular situation, would the DMP3 be better, worse, or about the same?
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Old 12-03-2005
StevenLindsey StevenLindsey is offline
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Quote:
Originally Posted by jkokura
Sorry, no disrespect, but I didn't ask if you'd get four channels of sytek. So...would you get four of one, or two of each?

jacob
No disrespect perceived. Sorry to interject an unwanted variation on the thought process, but for the same price per channel as the RNP, the Sytek is another valid consideration and could be a more versatile unit....especially if you're doing lots of tracks or if you're using dynamic or maybe ribbon mics. (More neutral and quieter.)

Now if you're in a location in which all you have available to you is the RNP and the DMP3, then by all means you should not entertain any other thoughts or suggestions.

If I were buying today, I would get two RNPs given the limited choice....with the RNCs.
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