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#1
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why does my mix suck???
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#2
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...
easy. it doesn't! sounds super pro to me. for reals.
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#3
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Do you mean "how" does my mix suck? The why question usually leads to three issues: The performance, the engineering, or the equipment. First, I would say your mix doesn't suck--at least it's not that bad. You probably need to give it some shelf time and come back to it with a fresh set of ears. Second, to me it sounds rather loud which leads me to believe that someone smashed the hell out of it with compression to achieve unnecessay loudness. You can almost visualize a more dynamic mix just wanting to get out. The end of the song, for example, almost sounds better than the beginning and middle. There also seems to be some muddiness--at least to my ears--and it sounds like you need to add some clarity to the guitars and bass.
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#4
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high shelf those guitars, they were very muddy in the beginning and throughout the whole song. or maybe the bass guitar is just a bit.. overpowering. the acoustic guitar at the end is way too compressed. it seems like it was either an accident or you were trying to give it a warm "right in your ear" effect.. either way its not working out. i'm not sure why, either.
besides those little mishaps the mix is actually really good!
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#5
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Vocals are great, except for a little sibilance maybe.
I think all the brightness in the vocal helps make the rest of the instruments sound dull, I don't think they need to be brighter, just de-ess the vocal. I agree with Willis, a little too squished. There's something else I can't put my finger on, that gives this away as a "non-professional" recording. Could be the intro, the way the bass guitar and electric guitar notes warble against each other. I really like the song.
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If a kick drum gets hit in the forest and no one is there to mic it, does it make a sound? |
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#6
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If you de-mud those guitars it should sound fine.
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#7
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I'm liking the song quite a lot. I definately agree with dwillis that there was too much compression. It sounds like you used the same mic for both guitar and bass. If at all possible, use a different one. The reason for this is that the frequencies are contrasting, and using different mics will give you slightly different frequency responses. This way there's no overlapping and each instrumet can have its own place in the mix. If getting another mic isn't possible, then you're going to have to fool around with EQ a little bit more to get each instrument's preferred frequency at an appropriate level with rest of the band.
All-in-all, a pretty good mix. I think you need to give your ears some space from the tune for a little while and go back to it. Can't wait to hear the final mix!
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I can't listen to that much Wagner. I start getting the urge to conquer Poland. |
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#8
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whoa your vocalist sounds like she is quite good! what did you use to record the vox?
sorry, i have no good advice to give though =( EDIT actually if you want some advice from someone who is not that experienced.. i think your chorus vox needs some more distinction from the verse vox. Also you might want more contrast for the verses and choruses overall, eg. go from semi-wide in the verse to louder and REALLY wide in the chorus. The transitions from chrous to verse may also need a bigger buildup, try a cresecendo sustained disto powerchord, or a reverse cymbal or something. I also agree with the other guys, guitar seems a little too muddy/bassy in the intro and in some parts of the song especially with the powerchords. maybe a little too much effect on it (reverb, delay?). If i'm not mistaken tuning is also off in some places. Also maybe you should fill the spaces in the mix at 2/3-3/4 of the way panned with the hi hat/cymbals and something else, becasue right now it soudns like everything is either hard L hard R, or dead center. |
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#9
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what i used
thanks for the replies
![]() drums: premier maple kit w/g2 coated heads 10, 12, 14, 22 overheads-akg ce-2 (any info on these? i want to get rid of them) toms-audix d2 and d4's kick-akg d112 snare-sm57(top only) bass-ibanez sr505 lined in through yamaha board guitar-ibanez sr520 w/ seymore duncan screamin' demons, jcm800(modded), marshall cab w g12m70's and sm57 vox- at4033 through yamaha board gear-yamaha m512 board, dbx 160xt, motu 828, behringer ad8000 interface for drums. so my gear is good enough but my mix sounds muddy and grainy. the bass is distorting. what frequencies do you suggest cutting or boosting and on what instruments?? Last edited by gtrboy; 10-07-2005 at 00:12.. |
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#10
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I'm hearing some distortion through my headphones. I think it's coming from the guitars. Sounds like plastic crackling, hence the grainy and muddyness mentions from the others.
I'm really loving the song, but all the little pops are driving me nuts! On a song/band level, the drums are not very tight with the rest of the band at the beginning. The vocalist is a bit pitchy in a couple places. Just heard the ending where the acoustic guitar comes in. The fast gating there doesn't sound natural, and there is far too much compression on the 'left guitar' side.
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Recording Setup: Power Mac G4 / M-Audio Delta 1010LT 1Ghz | 768MB RAM | Mac OS 10.4.5 160 GB Internal | 250 GB Ext. USB 2 Yamaha MG10/2 Mixing Console Logic Express 7, Cubase SX & Deck 3 Keyboard Rig: Kurzweil SP88 / Kurzweil PC2R w/O / Yamaha TX7 |
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#11
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Quote:
But I agree with what everyone else wrote.......... and gtrboy, lay off the damn compression, will ya!
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bruce valeriani recording articles http://www.bluebearsound.com/images/bb_siglogo.jpg |
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#12
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Without listening to the individual tracks I can't tell you what to do exactly, but I can say that the kick drum and bass should not overlap like that, nor should the guitar overlap the bass. A high pass filter should do the trick with the guitar, and some experimenting with the EQ on the bass and you should be able to get it out of the way of the kick.
EDIT: blue bear knows what he's talking about, so heed his advice (which is our advice if you read carefully)! ![]()
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I can't listen to that much Wagner. I start getting the urge to conquer Poland. |
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#13
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Quote:
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#14
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Im making a quick list while listning:
-ride cym is too hot during the intro -muddy guitar. I hear the brightness of that slight overdrive tryin to come through. high shelfing should help. -Bass drum sounds too dead next to that nice open snare. -vox are a SMIDGE dry for my taste, especially the backup at the end when the backup comes up, some sort of effect would help differentiate btwn lead and also the placement would help a lot too -lil much hi hat in parts. although i do like the crush for effect in the chorus, but a lil loud for me. I like stuff like that to add flavor, not go OOO, listen CRUSH. Acoustic at the end sounds a little dead. I like to use a SMIDGE of reverb on my acoustics and sometimes add a smidge of delay to thicken/richen it up a little Across the board, not a bad mix at all man. Dont be so hard on yourself. Just small stuff that most of it is totally subjective. Some of the comments i made u might have been going for that sound... Overall i think most stuff sounds "closed in" except the vox which as i noted above are a little dry. Keep mixin man! Matt
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http://www.precisionspeedonline.net/matt/sig%20pic.bmp Sound Innovations (under construction...) Use your ears and try things and if something works for you use it. -Al Schmitt |
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#15
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da remix
so i remixed and here it is. thanks for the pointers. it sounds a little brash to me now but maybe im sensative. heres two i did before and im happier with.
http://www.mciuan.com/sounds/test2.mp3 http://www.mciuan.com/sounds/king.mp3 http://www.mciuan.com/sounds/letter.mp3 |
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#16
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I agree, sounds pretty good. There's a slightly annoying ring somewhere in mids of the fake snare (busted!). I'd sweep and kill it with eq. I'd want to pull the vocals down just a hair, and I agree about the guitars. Yank some of the extreme lows out of it. I also agree about the compression. Ease up a bit and it'll breathe better.
Oh, and something is out of tune. You can hear it best in the beginning when all the guitars are doing vaguely the same thing. I can't tell exactly what it is, but it's a low string that's for sure. Might be the low E on one of the guitars.
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Here a douche, there a douche, everywhere a douche douche. |
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#17
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Try posting this in the mp3 clinic
http://homerecording.com/bbs/forumdisplay.php?f=15 |
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#18
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Ha!!!
it is the real snare just incredibly gated and compressed. when i was listening back to the tracks at the end there was the wierd whissssshhhhh sound ater the hit, almost a rattle. the dummer then told me that 3 of the snares broke and he just tied them but they came untied. crazy. so its just gated and compressed. you can see the original tracking if you get
www.mciuan.com/sounds/audio.rar on the new mix i posted i pulled most of the lows out of the guitars. |
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#19
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Quote:
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If girls are made of sugar and spice....why do they all taste like anchovies ![]() My music G.F.C.G. 000 039 |
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#20
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sound pretty good, but the sound coming off the snare bother the crap out of me. first was the snare tuned. secondly where was the sm57 positioned, sound too bassy(accidented). Try moving the sm57 about 3 to 4 inches away for a more ambient sound. Also try in addition a condsensor mic under the snare and mix with the sm57. Pan one hard right and the other pan hard left
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#21
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Quote:
Unfortunately, the snare track can make or break an entire mix. It's that important, and I'm afraid it's not doin' it for me. Doesn't sound like it was tuned very well in the first place. To make matters worse, it was overcompressed, as others here mentioned, with not nearly enough attack and too much resonance. The bass direct in to the board is a deal killer. You need to amp that thing and mic it up, or get a real nice DI. Maybe try a different bass -- something that has a little growl; like a Fender Jazz with semi-fresh strings. That would probably sound killer in your mix.For a demo, though, all of this sounds fine. The singer's voice is really good and has comercial appeal. The guitars are fine -- maybe a tad muddy, and the lead part gets lost a little bit, as others mentioned, but not terrible (doesn't totally kill the song or anything). |
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#22
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Alot of the people here pretty much said what I was thinking. Great songs man. Love the singers on all three songs. The guy on those second two songs has a sort of a Silverchair-like voice. Good stuff man.
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"Thank you, good bye, and better luck next time" http://www.myspace.com/robertsred |
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#23
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thanks guys!!
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#24
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I dont know why do you think it sucks... i listened to my crapy headphones and soumd pretty good, almost everything i hear o these sounds bad...
anyway.. it just the low of your track that needs to be better defined, cut it form the guitars... and i would like a bit more form the drums, are somehow low in the mix.. nice song, good overal mix.. just little more work would make it better... i liked it, dont be hard to yourself... kosntantine |
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#25
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I of course agree with chessy. The acoustic outro is killed by compression, and the very end of it has a pretty unnatural fade.
Snare's yutch if I ever heard yutch. Sounds like he's not hittin' it hard enough. Kick and snare at "10" all the time, if they can. Sounds like he has some tone rolled off of the bass, which I personally hate. Pretty flat across the song, I'd make the form more apparent with some changes in spectrums/instrumentation. just some quick thoughts
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