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#1
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Wah pedal
Hey all,
Ive been listening to alot of stone roses records, and one thing i never tought i'd do is get a wah pedal. And now im killing for one. Can Anyone set me in a good direction?. I got no idea where to start. Dunlop make a few, is their any real difference? Thanks - Idgeit
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"Lets go with the milk....", "Lets go with the milk?", "Im sorry, could you bless me with some of your precious milk?" - Ricky, Trailer park Boys |
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#2
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the cheaper ones are made by dunlop, ie the cry baby. vox makes a few wahs as well which are reasonably priced. i prefer the geoff teese wahs. they're boutique wahs that last longer and sound geat, but for a bit more money. the other good one is the fulltone clyde wah. in either case, you're looking at $100 for the cheapest and as high as $200+ for the nicer boutique models. places to look include musicians friend for the vox or cry baby and music toyz or stve's music for the boutique models.
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#3
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JD has a model 535Q I think. Has a Q controll that controls the "quackiness" (for lack of a better word!) Has treated me right for years. Vox also makes a great sounding wah.
One thing that allota Wah newbies are guilty of, is the porno technique....my fave use, is to use it just like a stompbox.....set it to a nice throaty tone and leave it alone for a while. Wah is a guilty pleasure, as most usage is pretty cheesy, but I think we should all own one for the kicks! Oh yeah, stay away from morleys optical wahs. |
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#4
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If you go with the Dunlop you might want to do the bypass mod.
http://www.homerecording.com/bbs/showthread.php?t=98394
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This is just a test |
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#5
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If you can spend the bucks give the Fulltone Clyde Wah a spin. I have one on both my practice and gig boards. They have a wide sweep, and a very "vocal" quality to them. Built like tanks too.
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#6
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Quote:
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crack don't smoke itself |
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#7
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Sorry....I shoulda qualified that statement by saying the optical wahs by morley from years ago were not to my liking. I have no idea what they are like today. They didnt have a broad enough sweep. Maybe the new ones are better. I should know better than slagging gear that I havent used in 10 plus years.
Pots do go bad and get scratchy...... but are replacable. |
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#8
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I've been using a Morley for years. The biggest problem with them is if the light ever goes out, it's a strange size and shape and a replacement can only be got from Morley. I ended up replaceing the light socket on mine due to the fact that getting a replacement from Morley can take up to 6 months (I've got no idea why it takes so long to ship a $3 light bulb.) The new Morley digital wah pedals don't have the light/photoelectric eye control but they don't seem to have the same blusey tone either, and their encasement is a light lighter (maybe even plastic) so they might not hold up to the abuse like the older ones.
Oops, sorry didn't mean to do a product review. |
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#9
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The OLD Morleys sounded really good... I have newer Dunlop now....it's okay..... I never use it anymore anyway... maybe I should....
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#10
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Morley Bad Horsie 2
Sweepable Q, optical circuit (no scratchy pot), spring-loaded action returns pedal to upper position - touch the pedal, it's on, lift off your foot, it's off. Great design, great company with great after sales.
Some will argue that you can't 'half toe' it*, during solos, etc., and this is true, but it functions perfectly well for those who don't need this feature. One less thing to worry about on stage. *never thought about it, but I wonder if the spring action can be removed, allowing for 'half toed' usage. |
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#11
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Quote:
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crack don't smoke itself |
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