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#1
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Tired of moving the rack to reach the back of the preamps !!
I think that some of you are in the same situation as me. In my rack, I have a lot of preamps, but all the inputs where I plug the mic are behind the units, so I always have to move the rack to reach the back and then plug the mics. Is anything exists to run all the inputs in front of the rack ? like a patch-bay, but for mics ?? I don't know if you understand, but if you do, thanks for your answers!!
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#2
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I do it with a snake. You just plug the snake into the preamps and every time you want a certain preamp, you plug into that channel on the snake.
__________________
Jay Walsh Farview Recording - And check out Farview's Rock Drum samples for Drumagog and now in .WAV format!!! |
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#3
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sorry but I don't really understand :S
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#4
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If you have 16 channels of mic preamps, you get a 16 channel stage snake. Plug the male ends into the mic preamps. The other side is a box with female xlrs. Plug your mics into that. You just have to remember what channel on the snake is what preamp.
__________________
Jay Walsh Farview Recording - And check out Farview's Rock Drum samples for Drumagog and now in .WAV format!!! |
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#5
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One of these guys-
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#6
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Not one of these-
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#7
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I just use an XLR patchbay to get all my inputs at the front of the rack.
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#8
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What I do is patch the preamp outputs to my patchbay, but I have a couple loose XLR cables that are plugged into the preamp inputs. The female ends are out within easy reach. The cables are about three feet long, which is just enough length to pull them around to the front o f the rack. These are also labeled, which is essential. If you need more than two cables, a stage box and snake would be the perfect solution for you.
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#9
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The jury's still out on this, but a lot of people will say that you shouldn't plug and unplug mics with the phantom power on. Something to consider if you go the XLR snake or XLR patchbay route. My 002 Rack has the phantom switches on the back of the unit so I still have to reach around each time.
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__________________
I wish my lawn was Emo so it'd cut itself. |
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#10
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I bought a pre punched panel and added connectors, then soldered cable to the back of each connector, and added another xlr connector to the back of that.
something like this........ http://cgi.ebay.com/ws/eBayISAPI.dll...sPageName=WDVW or you could go with one of theses......... http://cgi.ebay.com/ws/eBayISAPI.dll...sPageName=WDVW
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when the dust all settles and all of us have gone our life ways, the only thing anybody will care about in those recordings is the content. The songs and how they are performed. - SouthSIDE Glen |
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#11
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Quote:
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#12
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Quote:
The phantom power is connected to BOTH signal carrying lines and referenced to ground at the input of the pre-amp.The mic diaghram does not "see" this +48v as the sum difference between the two signal carrying lines is 0V (in relation to each other) If you pull out the XLR and accidently pull 1 signal carrying line out, with the other signal carrying line attached AND ground attached-Poof! By By mic diaghram. This can happen when you "rock" the xlr connectors before pulling out. As the XLR inputs wear, it becomes easier. It can also happen with a bad cable (broken wire). Same with dynamics and ribbons. I always turn off phantom power and wait 1 minute to be sure. I power up after plugging in also. People can tell you this, and that but if you do it the way I tell you, you will not see a day when you burn a mic. It is easy to say "I'm sorry" AFTER you destroy something. WHat is much harder is to seek out and learn the "whys" of things from reputable sources, and maybe you will never have to use the ever popular "I'm sorry" Good Luck. |
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#13
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Quote:
__________________
Jay Walsh Farview Recording - And check out Farview's Rock Drum samples for Drumagog and now in .WAV format!!! |
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#14
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additional question:
so its not good to plug/unplug the xlr's of condensers while phantom is still on, but i thought (just my thoughts of course) that its even worse if you have the mic connected, phantom is on, channel on mixing desk is 'open', and then you turn the phantom on, then you hear a loud POOOF, now whats worse, the pooof or just plugging the cable out? (don't worry, i turn all volumes down before i unplug or turn phantom down, but as you might guess, i haven't always done it that way....)
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...listen... |
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#15
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Quote:
__________________
I wish my lawn was Emo so it'd cut itself. |
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#17
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wall plates anyone?
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#18
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Quote:
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#19
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Quote:
I have also seen many electricians wire in lights and ac junction boxes with power on to the lines. Do they die? Not yet. But,all it takes is 1 time. I shut off the power when I wire a light fixture. |
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#20
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Look for PATCHBAYS
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#21
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Quote:
__________________
I wish my lawn was Emo so it'd cut itself. |
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#22
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Quote:
The worst possible scenario is when a mic lead is connected to a mic while phantom power is on. The cable is effectively a capacitor, and the sudden discharge of the cable and coupling caps can create a high current through the zeners, which must be capable of withstanding the surge without failure. Now, these zeners (as most zeners tend to be) have a rather large tolerence and can allow quite a jump in current. The end product is that you stress your mic everytime you plug it in, or pull it out just a little. Like ESD discharge, the unit does not fail the 1st, 2nd, or who knows? But, sooner or later you could be the owner of a useless mic costing $100-2000. Why risk it? Any pro would kill you if you ever did this in their studio. And, I am quite aware that old consoles did not have phantom power switches and old engineers did this for years............ But............. Old engineers blew up mics and everything is invented to solve a problem. Guess what? Phantom Power switches on every channel were introduced. Why? |
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#23
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Quote:
__________________
I wish my lawn was Emo so it'd cut itself. |
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#24
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I highly recommend it always. |
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