![]() | ![]() |
|
#1
|
|||
|
|||
|
"tightening algorhithms"
I was talking to somebody about going about mixing a specific project and they started talking about software that "tightens algorithms" so that everybody's tracked performances sound tighter together. As if it changed waht was recorded to conform all the tracks rhythmically? Is there such a program? It sounds too crazy too me
T |
|
#2
|
||||
|
||||
|
Not that I've heard of, if they're talking about recorded audio. Can't imagine it would necessarily sound very good. If you're talking MIDI, sure. It's called quantize.
|
|
#3
|
||||
|
||||
|
You might be thinking about beat detective , which is really only useful for drums and other highly percussive material.
Theoretically speaking, it should be possible to come up with something that might work on an entire mix within the multitrack session. At least in the sense that if there were two transient peaks occuring close to the same time -- for example: kick drum and bass guitar pluck -- it would be possible to design a program that will line these instances up closer together. The main problem you'd run it to is that, assuming it's automated, the program might start lining things up that are actually supposed to be a little off from one another and it would start losing all feel. It sure would be a nice tool, though, if you culd just highlight the sections you want tightened, and then have the program take a stab at it -- rather than having to do it manually, which can be time-consuming. |
|
#4
|
|||
|
|||
|
Quote:
![]() |
|
#5
|
||||
|
||||
|
Such an algorithm wouldn't be too incredibly complex. I'm sure if I spent the time I could come up with something simple that does the trick.
I think the reason that they don't have something like this already is that it can make crappy bands sound like they know their stuff and have it down. If you want everything to be tight, then just practice, it'll sound better than any algorithm you can come up with.
__________________
I can't listen to that much Wagner. I start getting the urge to conquer Poland. |
|
#6
|
||||
|
||||
|
Quote:
then how come they made auto-tune? I'm callin yo' bluff, let's get that algorithm budddy but i agree, it pry doesn't exist comercially cause it sounds like ass, and tight bands sound better than ass.
__________________
blueroomrecording mics-->pres-->ada-->computer-->ada-->monitors (that is a terrible joke, I am well aware) |
|
#7
|
||||
|
||||
|
Quote:
__________________
www.redlabaudio.com |
|
#8
|
|||
|
|||
|
Quote:
|
|
#9
|
||||
|
||||
|
Quote:
I still don't think that the reason it's not on the market is cause "it can make crappy bands sound like they know their stuff and have it down." C'mon man... and i'd looove to see what it does to a full project. and if he can come up with a simple plug in for me to tighten people's performances, that'd be awesome...
__________________
blueroomrecording mics-->pres-->ada-->computer-->ada-->monitors (that is a terrible joke, I am well aware) |
|
#10
|
||||
|
||||
|
Dudes, it already exists, and it's called:
Melodyne http://www.celemony.com/melodyne/ It's a pitch tuner and a timing fixer sort of thing that uses complex but amazingly good timestretching and pitch bending to take full control over any audio file. |
|
#11
|
||||
|
||||
|
I don't believe it. So, you're telling me that if you have a song that is already mixed and the drummer dropped a kick shot late the bass player hit it too early and the guitar was somewhere in between that there is some magical plugin that will extract each instrument and align it properly. Hogwash, I don't fuckin believe it.
__________________
http://www.garagerecording.com/images/lava22.gif SELECT W.People FROM tbl_world W WHERE W.Clue = TRUE NO RECORDS RETURNED |
|
#12
|
||||
|
||||
|
"Melodyne is a multitrack audio recording and editing application"
looks like it's a combination of Autotuner and Beat Detective.
__________________
www.redlabaudio.com |
|
#13
|
||||
|
||||
|
Quote:
Looks like all their examples are of single instrument tracks. I could see that working. But it's not going to do a whole mix.
__________________
http://www.garagerecording.com/images/lava22.gif SELECT W.People FROM tbl_world W WHERE W.Clue = TRUE NO RECORDS RETURNED |
|
#14
|
||||
|
||||
|
Quote:
I'm sorry, but you misunderstood what the question is about. Either that or you have no idea what a compressor does.
__________________
http://www.garagerecording.com/images/lava22.gif SELECT W.People FROM tbl_world W WHERE W.Clue = TRUE NO RECORDS RETURNED |
|
#15
|
||||
|
||||
|
Quote:
__________________
www.redlabaudio.com |
|
#16
|
|||
|
|||
|
Quote:
|
|
#17
|
|||
|
|||
|
Quote:
__________________
In vino veritas. |
|
#18
|
|||
|
|||
|
Quote:
I guess some type of track/full mix audio quantization would be the logical progression of the Acid and dsp time stretching algorithms but it's not in my vocabulary - that must be why I'm fightin it . But it's cool why not use it in a creation if you can make it sound good. The stuff I've heard time stretched/compressed always has artifacts, but as with all things, there's always the day when the dream becomes reality. |
|
#19
|
||||
|
||||
|
Yeah, the original question was about rhythmically lining up tracks: tightening up. I can see it working on single tracks of punchy material like snare, but anything else like guitar or piano with more sustained notes, my imagination leads me to believe it would end up sounding not so good.
|
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | |
| Display Modes | |
|
|