![]() | ![]() |
|
#1
|
|||
|
|||
|
Sun Studios reverb setting
Hi all,
Can anybody give me a reverb type and setting that might give me the sound of the era of Sun Studios style recordings?? Thanks |
|
#2
|
||||
|
||||
|
slapback maybe?
i've heard it refered to as slap-back echo. 50's.
some reverb units have a preset called slap-back. i love it to. sometimes you can even play off it, like a Buddy Holly guitar picking thing....sounds twice as fast and tight.
__________________
if it's not happening in the room, it ain't gonna happen on tape.-HG |
|
#3
|
|||
|
|||
|
They put a speaker in the bathroom at Sun and miked the speaker, using the bathroom as a reverb chamber, then mixed that wet signal in with the dry one.
__________________
In vino veritas. |
|
#4
|
|||
|
|||
|
I don't believe it. No way did they do that!
__________________
A postmodern theory of audio engineering: Polyvocality of incommensurable mic-positions as a method of Behringer emancipation. |
|
#5
|
||||
|
||||
|
don't know if they used the bathroom as a reverb chamber but plenty of the older studios had reverb chambers where the sound would pump in via a speaker and get mic'd back - some had hanging plates to alter the sound + numerous ways of dampening as well. as people build better electronics and smaller "tanks" and place boxes, reverbs got smaller.
that said, there are many stories out there - bathrooms, stairwells, basements, kithens, just about any live room with reflections have been used for reverb tanks... somewhere i read someone used an empty garbage truck as a chamber on a live session... one is only limited by their creativity... :-) sometimes studios recorded people in the bathroom to get the right reverb, so it is possible that Sun used a bathroom for reverb.... |
|
#6
|
|||
|
|||
|
For another good example Led Zeppelin did a lot of recording in a big old mansion and used one of the big rooms to record the drums. THats were they got the HUGE sound in WHen the levee breaks. That live bit of reverb and a good recording will always beat the digital stuff.
|
|
#7
|
||||
|
||||
|
yeah, the first band i was in - we converted a stone carriage house to our "studio" - about 35' x 40' with solid walls - we added some carpets and put everying pretty much in the middle of the room... couple of sofas and the reverb was outstanding... made all the crap we played sounds so much better that people often couldn't tell...
![]() |
|
#8
|
||||
|
||||
|
Nobody's mentioned the obvious --- tape slap.
At 7 1/2 IPS the tape slap is about 135 ms and @ 15 IPS it's about 65 ms. That and the 'hanging plate' someone above mentioned were the two basic tools to generate fx. |
|
#9
|
|||
|
|||
|
Thank you all
Thanks guys for all the input . I'm going to try the bathroom technique, since i dont have a mansion but i do have a bathroom!!!!
![]() Also SCIENTIST i own to 1/4" reel2 reel machines. One is a 4 track the other is a 2 track. How would i use these to get that slap back on vocals or on the entire mix?? |
|
#10
|
||||
|
||||
|
They need to be 3 head machines - the tape slap comes from the gap between the record head and the playback head.
Most modern reel to reel machines have only 2 heads, one for record/playback and one erase head... |
|
#11
|
||||
|
||||
|
Quote:
Most if not all pro machines have three heads. |
|
#12
|
|||
|
|||
|
Oh yeah...
Quote:
If anyone has heard that Duane Eddy song "Rebel Rouser"...that was done here in Phoenix. They fed his guitar sound through a speaker into a MASSIVE water tank, and that's the crazy, bouncing around reverb that you hear on that track. Also, the Motown house in Detroit had an attic that was used as the reverb chamber. Apparently the house wasn't symmetrical, so roof and the walls slanted in different ways that just made a great sound. This is all information that I learned from a guy hear in Phoenix named Clarke Rigsby.
__________________
In vino veritas. |
|
#13
|
||||
|
||||
|
http://www.anti-flag.com/downloads/studio/pat.mov
theres a video of Pat Thetic from anti-flag tracking drums in a big ass auditoruim. Ive never tried anything like this, but theres a starewell where i go to school that has the craziest reverb ever and i always think about tracking drums in there with one mic on each platform. I think im gunna ask them if i can do that one of these days...
__________________
The illest punk band in the world son - www.bobhopepunks.5u.com |
|
#14
|
||||
|
||||
|
Quote:
|
|
#15
|
||||
|
||||
|
The lexicon PSP 42 plug has a prettyy nice slapback preset:
http://www.pspaudioware.com/ On the subject of novel 'verb chambers, My Morning jacket use a big old grain silo. I love the verb sounds on their stuff. |
|
#16
|
|||
|
|||
|
Quote:
__________________
In vino veritas. |
|
#17
|
||||
|
||||
|
Quote:
My first tape machine was an ATR60 1" 16 track machine. |
|
#18
|
||||
|
||||
|
Quote:
|
|
#19
|
||||
|
||||
|
But I have yet to be contradicted by the original poster...
|
|
#20
|
|||
|
|||
|
Quote:
__________________
A postmodern theory of audio engineering: Polyvocality of incommensurable mic-positions as a method of Behringer emancipation. |
|
#21
|
||||
|
||||
|
Sun Reverb
Quote:
and it said the same. speaker, ran thru like a tunnel with secret-film painted on the walls... mic on the speaker/tunnel... whoala! big reverb....... Bathroom Reverb??? is that where the mixing slang "ASS SOUND" came from??? .
__________________
if it's not happening in the room, it ain't gonna happen on tape.-HG |
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Panning Reverb | dachay2tnr | Mixing / Mastering | 3 | 02-03-2004 12:31 |
| How do I use my 01v reverb on dry tracks in cubase? | boze | MP3 Mixing Clinic | 4 | 03-29-2003 19:01 |
| Reverb Plug-in Vs. Hardware | dudleys100 | The Rack | 21 | 03-25-2003 16:20 |
| reverb question | WEBCYAN | Recording Techniques | 9 | 01-14-2002 10:04 |