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#1
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I want some keys.
I want to get a set of keys, and I was looking at a triton, when somebody told me I could get some sort midi keyboard and use a computer for the sounds. Does this actually work, and will it work well. I mostly want to add some strings and effects on some recordings.
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#2
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Yes it works and it works well I had that type of setup before I bought a Triton and I'm about to buy another Midi Controller and go back to that setup partially.
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#3
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What does the midi controller actually control? I mean what is generating the sounds.
I've been interested in this for a while now and havn't been able to fully understand it. What can I do with a midi controller? And how can I do it? What is the greatness of midi that I am missing? Sorry to hijack this thread. |
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#4
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Oh, and what kind of monitoring setup would I need?
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#5
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__________________
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#6
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__________________
http://www.myspace.com/tazonmyspace
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#7
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One of the greatest advantages I find in the use of midi is that I an play a track using one patch, and then auditon many other patches for the same track. So maybe I'm finding that this particular piano isn't cutting it in the mix - that's OK cause I can go just select another piano patch and I'm good to go. I've recorded the PERFORMANCE, not the actual sound.
Also, I can transpose the entire work, and/or change its tempo. That sort of stuff.
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#8
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Thanks WILLZ!
And hutch, I gotcha. I am just curious what software you 2 might be using? |
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#9
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I use Cubase SX
and Reason <--- which I'm still reading the manual on ![]()
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#10
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Does Cubase have all the samples, or is that something you need to get seperate?
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#11
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__________________
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#12
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Ok, then what is a good midi controller? I am a complete key dork, I don't know what to look for at all.
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#13
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Fatar <---Thinking of getting on of these just for the weighted(piano type) feel of the keys
or M-audio <----had one of these worked like a charm & will more than likely buy another board from them since they offer many differant sizes now. Basically look for something with enough keys for you and other knobs just in case you want to control other parameters from the board (a little more advanced) Since you are just starting I'd suggest something like this: http://www.digitraxx.com/ma_o2.html
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#14
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Thanks for the advice. I am excited to give it a try.
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#15
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Fatar is now StudioLogic.
http://www.studiologic.net/ I use a StudioLogic SL 990 Pro. I highly recommend Fatars.
__________________
The fact that no one understands you doesn't mean you're an artist... |
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#16
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I like the idea of the weighted keys.
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#17
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One thing though Boomtap, you'll need a soundcard with low-latency drivers to be able to play in realtime (If you don't already have one). They can be had for cheap these days. Emu just released a new one under a hundred bucks with onboard FX. You'll also need a host program such as the above mentioned, but there are many cheaper programs available too (Some free even). And a ton of free soft-synths. Check out http://www.kvraudio.com/
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#18
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That was my next question I will check out the site. I mostly am after some string (cello) sounds for a project that I am working on.
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#19
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I still a little confused guys, but thanks for spending the time to explain it!
I can use the midi controller to do what?... control functions in synth programs and trackin software? I understand it working like a keyboard in a synth program but what is the benefit in a tracking program? ... make sense? And does it do both at the same time or what? |
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#20
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#21
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The midi controller sends out note information to a sound source or storage medium. That sound source can be a synth module, a soft synth, whatever. The storage medium is typically a your computer's sequencer, The controller supplies this data in ther form of mido events such as note on (velocity and pitch), note off, and other controller information. It does not generate any sound in and of itself. The sound source (module, soft synth, etc) uses this information to trigger or manipulate its sounds. On the other hand, the sequencer stores that information in the track, and plays back the midi events to a sound source in order to trigger the sounds. So in the tracking program (the sequencer), you are storing the data for later playback. Since the information you have stored descrives the pitch, duration, and velocity rather than the soudn itself, you can freely change the synth patch, transpose it, change the tempo, etc. And yes, you can record to the sequencer at the same time you trigger a synth. In fact, you can send the same data to as many devices as your midi chain allows. Typically, though, we use the computer's sequencer to 'pass through' the data to a particular synth for monitoring purposes. This was a tad simpliistic but I believe it outlines the basic idea. Let me know if I just confused things.......
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#22
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