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#1
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Best possible overheads for drums
???????????????????
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My Band: Aqueous - www.aqueousband.com |
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#2
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please provide a price if possible
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My Band: Aqueous - www.aqueousband.com |
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#3
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Also two Shoeps CmC6's will do better for $3000 each. Two of the best mics for overheads. |
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#4
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Best?
C'mon guys, there is no such thing as "best". Harvey Gerst summed it up really nice (in a great thread that I can never find) when he said that asking about the "best" mic is like asking about the "best" guitar. There is none! I'd really like a '59 Les Paul Custom, and it would be really expensive, but that doesn't make it the "best" guitar.
You've gotta say what you want the mic to sound like (to continue the guitar analogy, a '59 Les Paul Custom would be perfect if I wanted a Bluesbreaker sound).
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A postmodern theory of audio engineering: Polyvocality of incommensurable mic-positions as a method of Behringer emancipation. |
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#5
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for a blues rock sound
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My Band: Aqueous - www.aqueousband.com |
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#6
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Matched set of AKG c12's - Vintage King has a set for sale.
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They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety. -B.F. |
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#7
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In theory, there is some merit to what you're saying. But in this case, I'd have to say Acorec is right when he says two Shoeps CmC6's. If, theoretically, there was such a thing as "the best" ... those would probably come pretty damn close to fitting that description. |
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#8
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Anyone using ribbon mics for overheads? I've heard good things and want to try them out, but don't have any at this point.
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#9
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And ya, a '59 Les Paul Custom is probably pretty close to the "best" guitar, and a strad is pretty close to the "best" violin, but these are definitional issues. For instance, the strad is considered the best violin, because it is what a violin is supposed to sound like by definition.
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A postmodern theory of audio engineering: Polyvocality of incommensurable mic-positions as a method of Behringer emancipation. |
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#10
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I don't want to understimate a good mic,but i would like to point out that in today's recording market,(this by being a session musician,and percussion-sound-designer),the tricks are in the equalization of tracks and the software used to process the sound.Then a few cookies,(equipments),used for mixing and Mastering.Gerry Zaragemca
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International Club of Percussionists |
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#11
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i would say an american srat would be the best..... ever realize most of the legends used strats .... jimi, stevie, BB King, Clapton...etc.
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My Band: Aqueous - www.aqueousband.com |
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#12
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I agree that it could quite possibly be schoeps cmc6/mk4's. They are only about $2500 for the pair though. That being said, I've never stuck a pair of 251's or anything like that up there.
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Jeremy |
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#13
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#14
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Sure all the blues guys played strats.
I want a guitar with balls! |
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#15
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Best possible overheads for drums
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#16
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AKG 414's have long been a proven standard for recording rock drums. Can't go wrong with those. The Peluso 22 251 is close to what you'd get with a multi-pattern tube version of the 414. Both the 414 and the 22 251 have the C-12 in their heritage.
While certainly not a complete list: I have experience using the following mics on drum OH's with great results and would recommend any of them for that application. I'd also recommend using them with a good mic preamp. And if you only have 2 channels of good preamps, OH's would be the most important drum application to use them. AKG 414 AKG 451 Neumann U87 Red5 Audio RV8 Peluso 22 251 Peluso CEMC6 Audio Technica AT4040 Schoeps CMC64 Neumann KM84 Neumann KM184 Josephson C42 Pearl CC22 Coles 4038 Royer 121 AEA R84 Oktava MK319 Oktava MC012 Studio Projects B1 Studio Projects C4 Groove Tubes GT44 Groove Tubes GT33 Crown PZM Earthworks QTC1 Earthworks SR77
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Dan Richards The Listening Sessions ------------------------------------- Yackin' about gear and recording techniques at Studio Forums. Last edited by Dot; 03-12-2005 at 07:30.. |
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#17
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thank you dot that is a what i was looking for a nice list
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My Band: Aqueous - www.aqueousband.com |
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#18
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I really enjoyed using the AT4051 for overheads. About 250.00-300.00 each on Ebay. I'm tinkering with a pair of KSM44's right now. I'll get more overall mileage out of the Shures.
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#19
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BB does not use a strat. I read an article on this recently, Gibson designs a new custom Lucille ever 3 or 4 years for him. Exactly to his specs. Wouldn't that be nice, but play 300 and some odd sold out shows a year, and you get that sort of respect |
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#20
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Um, I would have to disagree. While equalization and other "tricks" as you put it, help. If you don't have a good sound to begin with, from proper mic placement, and mic selection, those tricks mean nothing. You can't make a bad recording sound great using tricks. Great recordings come from great performances, on great instruments, recorded with great gear. While I agree, with todays equipment, you can make a good recording with a smaller budget than ten years ago, but to say that good recordings are made with tricks and cookies, rather than mics, is false! |
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#21
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#22
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I saw him in Aug of 2003. He's starting to look old, but he still does put on a great show. I saw him at an outdoor ampitheatre, it was awesome. He handed off the first few solos to the other guitar players, which was a little upseting, but he made up for it later.
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#23
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A postmodern theory of audio engineering: Polyvocality of incommensurable mic-positions as a method of Behringer emancipation. |
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#24
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Clapton used a 335 for the Cream "Woman Tone"...a LesPaul with the blues breakers and finally, Blackie and Brownie for everything up until Fender built him the Ultimate Eric Clapton sound Strat.
Nice list Dan....My favorite of those I've used on that list(about a third) is a pair of U87 purple badge..
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coming soon! drool'n dogg rekords |
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#25
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overheads for drums
best possible overheads for drums is a 50 ton truck
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