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#1
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Mackie inserts as direct outs/returns to multitrack
By plugging a Y-cable into the insert of a Mackie 1604 (as you would to patch in a compressor, etc.), and then connecting the send/return portions of that Y-cable to the inputs/outputs of the HD24, would that not give me both a direct out from the mixer to the multitrack (for recording) plus an uninterrupted return path back to mixer (for playback)?
This would seem to me to be a far more elegant setup than a 1/4" jack inserted halfway in, as suggested in the manual. Why is the above scheme not suggested in the manual? Or am I missing something? |
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#2
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plugging it in all the way on the mixer makes it an insert. it will only read whats going into it. plugging it in half way makes it an out
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#3
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Uh uh..
That much is clear already. But what I'm asking is, will Y-connector fully inserted at the insert point send a recording signal (controled by the Mackie's trim pot) to the HD24, AND ALSO handle the return signal from the HD24, which would then percolate down through the EQ, AUX, fader, etc.
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#4
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It seems like that might work...try it and see if it does, let us know.
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Jeremy |
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#5
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If it does work, it will eliminate four major headaches:
1) The insert will be fully inserted, not a half-in flimsy connection (as is the case with the 'textbook' method of using the insert as a direct out). 2) Line inputs are no longer used as tape returns. This leaves all 16 mic pres free, without the need to unpatch tape returns (line inputs) occupying mic channels you wish to use for recording. 3) Record levels are set simply by the turn of a trim pot (pre EQ). 4) No need to unplug microphones since the Mackie's Mic pres are sending signal through the HD24's inputs first, which are then returned to the Mackie's inserts, i.e, the HD24 automatically 'unpatches' the mics when tracks are not 'record enabled.' It's so elegantly simple, it's too good to be true. Someone piss on my fireworks, go on. Last edited by robin watson; 02-16-2005 at 23:53.. |
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#6
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Only drawback is that it would be unbalanced for long cable runs.
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Jeremy |
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#7
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The mic pres remain balanced, however, which is more important. It's unbalanced, but it's line level, not mic level, and the cable run is no more than 1.5 m.
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#8
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inserts
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Paj 8^)
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