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  #1  
Old 11-15-2004
wallsstreet wallsstreet is offline
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Waves Gold Bundle Compressors

Hello Ladies and Gentlemen,

I have the waves Gold Bundle, but I'm still having a problem with compressing the lead Vocal. My problem is:

I need to know which compressor to use to keep the vocal from getting to loud? It's like 4 compressors (c1, c1 w/gate, c4, and a few more),

Also, I need to know on the compressor, which is it, the threshold that really controls how loud it really gets?

Thanks!

I'm using Protools LE, PC 2.4 gig, 512mb
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  #2  
Old 11-15-2004
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Waves Compressors

Try the RenVox compressor for vocals (I believe it is included with Waves Gold). Very simple to use and a nice warm sound.

Play around with different settings.
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  #3  
Old 11-15-2004
wallsstreet wallsstreet is offline
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It's does not come with that plug-in. It probably does now, but I got this Bundle about 2-3 years ago.
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Old 11-15-2004
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The C1 should do what you want it to do. Decide how loud you want the vocal to get, put the threshold a few db below that, and play with the ratio setting to see how it sounds at 2:1, 4:1, etc. Then, use the makeup gain to get the overall volume where you want it.
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  #5  
Old 11-15-2004
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The C1 willl work just fine.

Play with your treshold until you feel that you are at the right level (the reduction meter will help you see how much you are reducing. Keep an eye you don't compress much more than 5 dB, because a plugin compressor can sound a bit artificial (although I don't know about the C1).

Once you've got the treshhold right you can move on the Ratio, how much you want to compress it. You can also make a really wide knee setting with vocals, so that even the loudest parts sit back in the mix.
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  #6  
Old 11-15-2004
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YOU can use the C1 but I've found that the RCL(Rennaissance Compressor/limiter) is superior to the C1 especially for vox, but the C1 is cool, you can use it in sidechain mode and use it as a deesser or something like that.

I'm pretty sure the RCL comes with your bundle
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Old 11-15-2004
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stick an L1 after your C1 as well.
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Old 11-15-2004
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Quote:
Originally Posted by fenix
stick an L1 after your C1 as well.
a bit drastic for vocals, don't you think?
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Old 11-15-2004
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Quote:
Originally Posted by BrettB
a bit drastic for vocals, don't you think?
I guess it all depends. For anything rock I tend to stick an L1 on it--but I don't slam it.
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  #10  
Old 11-16-2004
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C1 or RenCompressor is great for vocals.

Multiband compression (C4) is just overkill for anything but mastering in my opinion. The "L1 idea" on tracks suggested above seems like a pretty duff idea as well. I'd be curious to hear the final results using that technique because it's so unorthodox to me.
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Old 11-16-2004
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Quote:
Originally Posted by Cloneboy Studio
Multiband compression (C4) is just overkill for anything but mastering in my opinion.
I find most people kill their masters with multiband compression too. I like to think of it as selective-band compression instead of assuming all bands will be compressed.
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Old 11-16-2004
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I really appreciate all the feed back from you pros! Thank you GREATLY!
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  #13  
Old 11-16-2004
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Quote:
Originally Posted by Cloneboy Studio
C1 or RenCompressor is great for vocals.

Multiband compression (C4) is just overkill for anything but mastering in my opinion. The "L1 idea" on tracks suggested above seems like a pretty duff idea as well. I'd be curious to hear the final results using that technique because it's so unorthodox to me.
Here's one:
http://www.mixandmaster.com/examples/gravy.mp3

You just have to be sure you de-ess AFTER the L1 or it gets ugly.
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Old 11-16-2004
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Oh, and turn dithering/shaping off when using the L1 "inside" a mix. (not as the final stage in the master chain)
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  #15  
Old 11-16-2004
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Quote:
Originally Posted by mixandmaster
Here's one:
http://www.mixandmaster.com/examples/gravy.mp3

You just have to be sure you de-ess AFTER the L1 or it gets ugly.
I assume in your clip you only did that for the vocals. Sounds good. I'm not sure if it would work on *everything* in a rock mix, but judging from your results it's working out for you.
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Old 11-16-2004
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Quote:
Originally Posted by BrettB
a bit drastic for vocals, don't you think?
Dave Pensado put L1's at the end of Xtina Vocal chain on her second LP... I dunno if it was for every track or just a select few.
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Old 11-22-2004
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C1 is a good and working choice but Rcompressor does the job mutch better but if you think the voice is too low, try to lower all instruments! If your mix is too loud, youŽll not have enought head room for dinamics...try only use limiters to limit peaks. First try to balance your mix without compression, than used the compression to make a more solid mix, not to make instruments louder. This is the first step for a good balanced mix, and leave de loudness tools for mastering.

Chears

Marciano
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  #18  
Old 11-23-2004
SittinIdol SittinIdol is offline
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Talking

Quote:
Originally Posted by fenix
I guess it all depends. For anything rock I tend to stick an L1 on it--but I don't slam it.
Would Bob Katz do that???
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