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#1
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I am just getting into the digital recording world,
and am looking into purchasing an SP C1 as my main vocal mic. I have read a lot of reviews and BBS posts about it, and for the most part it is all positive, especially in the $200 price range... I am just wondering if anyone thinks there is a better mic for the money in the vocal condenser family. or if anyone has anything negative to say about the C1... on a side note, I am looking for a good way to get 8 channels of decent preamp to go into a motu. any suggestions? thanks, -T |
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#3
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try a used T#3 better but the c#1 is a good one-i have both and want a C#3 too
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#4
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There are certainly better and much better mics out there than the C1 or it's siblings or their competition. Catch is, you'll have to spend more or much more. |
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#5
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The C3 is nicer than the C1, to me. It's got less high-end peak, and seems to have a more pleasant coloration to it, over the C1. Three patterns makes it pretty versatile. |
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#6
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thanks for all the info,
i actually picked one up today for $170 and I'm pretty stoked to get it home and try it out. |
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#7
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#8
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I think you're going to like the C1, Taylor. Let us know when you've given it a test drive.
The pros for the C1 is that it sounds better on more people on vocals than most mics – regardless of cost. As a $200 vocal mic nothing beats it, IMO. The cons are that it's not a very versatile mic. We've found it to be good for vox, amps and some drum applications - mostly snare [ not overheads ]. As an acoustic instrument mic it's an average performer at best, IMO.
__________________
Dan Richards The Listening Sessions ------------------------------------- Yackin' about gear and recording techniques at Studio Forums. |
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#9
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Pros: Good vocal mic; particularly for pop / R&B. Good value for the money. Attractive, sturdy. Has sort of a scooped sound to it with pretty decent high end sheen . . . for a Chinese / 797 mic. Unusually good SPL handling.
Cons: Can be sibilant on some vocalists. Harsh-sounding on certain instruments. Not particularly solid or as defined in the midrange as it could be -- not a lot of bite. This could also be a pro, depending on how you look at it. Liked Dot mentioned: not particularly versatile. |
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#10
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I'm new to this board and I find everyone very helpful and for the most part friendly.
It's cool to see people helping each other out. especially to a beginner like me. anyone have any ideas for my other problem..? getting 8 mics into a motu 2408 I need a set of preamps and I'm not sure if I want to just get a board with 8 or 4 units with 2 preamps each or 8 individual preamps. seems silly, but I will only really need 8 at a time fro drum recording, so maybe if I split it up I can get better preamps for each individual application instead of 8 of the same? any thoughts? |
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#11
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and see if it's the right mic for you and your project or not. Last edited by DJL; 10-07-2004 at 02:43.. |
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#12
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#13
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ok,
that makes sense, but are there for example a pair of preamps that would be better for overheads? kick drum? snare? toms? and one preamp thats worth putting a little extra money into for vocals? |
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#14
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#15
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Concerning pre-amps.
If you're looking for pre's on a budget (assuming you are since you bought a $200 mic) and you need 8, here's what I might do. I've got a DMP3 and the C1, and the dmp3 is a pretty nice step up from my old behringer mixer and I like it with the C1. You could get the yamaha mg12/4 (or something like that) mixer - the one with 4 mic pre's in it. You'll get some versitility out of the mixer, and you can use the mic pre's to mic drums - I've read everywhere that for a budget mixer the pre's are really nice. Then you'd have 2 left where you could do something a bit different. The studio projects VTB-1 is supposed to be pretty nice, and a bit colored. You could add 1 more pre of your choice after that, whatever you might need. I'd go with this possible set-up: DMP3 - 2 channels - clean/colorless Yamaha mg mixer - 4 channels VTB-1 - 1 channel - little colored (add a 1-channel pre of your choice here - whatever sound you're looking for) Gives you a mix of versitility of sounds with the versitility of a mixer. My 2 cents. |
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#16
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http://www.presonus.com/digimax_lt.html M-Audio also makes an 8 channel ADAT capable preamp, the Octane. It has a few more features, but overall there seemed to be a shade more noise vs. the Digimax, and its knobs are plastic (afraid they would break). http://www.m-audio.com/products/en_us/Octane-main.html |
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#17
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That M-audio unit wich I just found for $450 sounds like it will do the trick and leave me 8 extra channels for future upgrading really easily. thanks for the ideas! I didn't know they made preamps that went into the adat input |
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#18
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#19
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You can get a used Digimax 48K for around $400-450 on eBay. This is the model that comes with the built-in compressors, its not the LT version. No inserts but it does have line outputs and ADAT out if you ever go with a digital recorder of some type. I have two and I am very happy with them, a roughly mixed sample of a song recorded with just the Digimax and my mics is here:
http://www.timpatton.com/mp3/insult2.mp3 |
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