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#1
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how do you think the effects/etc, in adobe compare to others?
especially the hard limiting VS the L1 or L2 waves and the pitch correction VS Antares.
Personally, I think AA1.5 is a killer program and really suits my needs. |
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#2
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Ha! Before I got here, I just asked one of your questions over on that other board...
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#3
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"and really suits my needs" - exactly. You've got to think in terms of the job you are trying to do and the money you've got to spend.
Cool Edit / Audition generally has a fine reputation for the quality of its processing algorithyms (sp?) - I use a SENSIBLE amount of hard limiting on classical music recordings I make for my home City's independent classical FM station and methodical testing indicates that it does nothing to the sound apart from hard limiting it. |
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#4
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algorithm
rhythm easy to confuse |
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#5
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yeah i think adobe auditions is great man with all those effects and filters. but i got a question: after mixing down to a single file do you guys eq that file or do u leave it as is?
__________________
Young Mecca Young, Black, Talented |
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#6
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After mixing it down, I often play with the stereo track a bit. Faux-mastering (if you can call it that). I often compress a little, maybe some EQ, a little reverb. Just because I'm a tinkerer and at most I'll make a song into an mp3 to inflict on friends.
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#7
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what type of compression do you do? 2:1? do you think it's wise to compress a final mix and then to run loudness maximizer in wavelab after?
__________________
Young Mecca Young, Black, Talented |
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#8
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"After mixing it down, I often play with the stereo track a bit. Faux-mastering (if you can call it that). I often compress a little, maybe some EQ, a little reverb."
Randy, why do it after the mixdown? Why not before when everything's in Multitrack and easier to tinker with? |
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#9
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Quote:
Quote:
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#10
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Quote:
in fact, even these final touches aren't even mastering (although everyone in the world calls it that, and that is fine, i do to), they are the pre-mastering. the true mastering is what happens when you send the premaster off to the replication plant and they make the glass master in a class 1 clean room. this process, the real mastering has absolutely nothing to do with the fine-tuning you speak of, so even if you did know about this technicality (premastering vs. mastering), your phrase 'faux-mastering' still has no basis. to answer the orignal question, yes, eq you it gently, and hard-limit it, normalize all the tracks, all three of these steps are important if you want the cd to be a similar volume/tone/feel/sound in consumer players as commercial stuff. -Keith Last edited by BlackoutSP; 09-05-2004 at 04:45.. |
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#11
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Keith, I don't think you know what you're talking about. Not in this thread, and certainly not in the thread about pk files. Correct me if I'm wrong.
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