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#1
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24/96 vs 16/44
Hallo everybody,
Is it really worth recoding in 24/96 if the final product is a CD? Any advantages? Or 16/44 is good enough? |
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#2
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Sure is worth it. Read here to find out why.http://www.digido.com/portal/pmodule...er_page_id=35/
and welcome to the BBS. |
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#3
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Have some spare time? this is the most famous thread about the subject: http://www.musicplayer.com/ubb/ultim...3;t=000822;p=1
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#4
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Hey, mjamed.
If your final format is CD, 16/44.1k, then record at 24/44.1k. The 24 bit dynamic range is very useful. Converting down from 48 or 96 to 44.1 is a royal pain, because the ratio is 1.088435374... The DAT people intentionally made their sample rate a screwy ratio so that people couldn't make a perfect copy of a CD. See http://www.prorec.com/prorec/article...2566B20022F4CA Scroll down to sample rate conversion. There will be much disagreement...
__________________
The fabulous Naiant Mics, perfect for acoustic instruments!
If you don't have DavidK's CD, you are a loser. My tunes. Thanks! ![]() NB DA BEARS! |
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#5
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how can i choose 24 bit in adobe audiotion?
Hallo all
your advice was to record at 24/44.1k. I am using Adobe audiotion (Aardvark 24/96 soundcard) and i know how to choose /44.1k but i don't know how to make it record at 24 bit? there are only three choices 8, 16 and 32(float). how can i choose 32bit? thanks for help, mmj |
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#6
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I'll repeat what I said on another thread: go with 32 bit. It's "really" 24 bit with some extra room.
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