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#1
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Rigid Insulation Questions
As part of my continuing education since joining this most excellent forum, I've recently come to the realization that I'm gonna need to install some sound treatment in my 12' x 10' x 8' (ceiling height) little box of a spare bedroom home recording studio. So, I've followed all of the recent and past threads on this forum regarding the subject of room treatment, and I've read everything that I could find that was written by Ethan Winer on the Internet. I think that I need to mount several panels of OC703/705 (or equivalents) on my walls to act as absorbers, and build bass traps in the corners of the room using the same materials.
I also see that most folks cover this rigid fiberglass material with some kind of fabric, or build a frame of wood and fabric to put over the fiberglass panels. I'm assuming that the covering is strictly for aesthetic reasons, and that it isn't strictly necessary for the sound treatment to function correctly. Is that a valid assumption, or am I missing some point? If this extra investment in money, time, labor and materials is strictly to make the panels "look good", can I just mount the raw panels in place and forget about it? Sorry if this is a dumb question, which may very well be the case since the whole concept of room treatment is brand new to me. But if I can get the benefits without fooling around with the fabric covering, it gets me a lot closer to getting this done. (I'm handicapped and physical labor is "difficult", but not impossible.) If I don't care what it looks like, but I can help my room acoustics anyway, that would be super. If I'm nuts, please feel free to let me know (but please take the time to educate me, too). Thanks!
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"Guess what?! I got a fever, and the only prescription... is more cowbell!" |
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#2
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"I'm assuming that the covering is strictly for aesthetic reasons"
From an acoustic perspective this would be correct but the main reason to cover the fiberglass is to keep the fibers contained. Fiberglass is an irritant, both to your skin and lungs. I took a audio measurement class at work that involved testing loudspeakers in an anechoic chamber. The chamber environment was exposed rigid fiberglass but keep in mind, I didn't spend hours inside mixing audio. Just set up speakers and measurement equipment. I used hot melt glue to fasten the fabric when I built my studio but if I were to do it again I would probably go with spray adhesive. I might even try hardening the edges like with the commercial panels I purchased in the past. Don Folkcafe |
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#3
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Fibers
Another thing I might add about the fiber retention of the fabric, is make sure you get some good fabric to cover your panels and traps with. You would be surprised how those little fibers freely come off the insulation with NO air circulation in the room. As I was installing them, I could see them in my overhead lighting- it looked like a dusty old barn with the sunlight shining through the windows... Make sure they are covered well.
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Listen to my music @ www.myspace.com/michaeldaltoncountry |
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#4
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![]() Seriously, I guess that I'll have to make the extra effort to use fabric on my panels to prevent the nasties from propagating. I'll just need to figure an easy way to accomplish this with a minimum of effort. Any suggestions? Thanks again!
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"Guess what?! I got a fever, and the only prescription... is more cowbell!" |
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#5
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Monitoring at CathouseSound AetherAudio 'Continuum A.D. and TimePiece 'Mini (formerly S.P. Technology |
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#6
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Quote:
Frank |
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#7
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Yup, definitely want to put some fabric on them to keep the particles from escaping. Supposedly they're harmless, but they are annoying.
I used lightweight fabric I found at the Walmart $1 bin. It's light polyester blend or something. Look for the stuff you can easily blow through, but not see through. Basically, you want the weave to be smaller than the particles. A lightweight fabric will ensure the sound gets through and absorbed without being reflected back into the room. I used spray on adhesive. I'm having problems with some coming off 8 months later, but maybe those are the panels where I was running low on adhesive. Just hanging the stuff up is such a huge improvement. It's the best bang for the buck to improve your mixes. And it doesn't have to be expensive or complicated.
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Find my tunes here >>> http://www.soundclick.com/bands/page...?bandID=741321 |
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#9
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I Think That I'm On The Right Track Now...
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Chili, I was planning on using spray adhesive, too. Did you spray it on the entire fiberglass panel (including the front), or just on the back to keep the fabric adhering to the panel? I guess my real question is whether or not the use of spray adhesive on the front of the panel will interfere with its sound-absorbent qualities? I was going to avoid using it all over the panel because I feared that it would cripple the effect. If that is an incorrect assumption, I can simplify my project considerably. Please advise... I believe that was my REAL problem I always tend to over-think, over-analyze, and over-complicate everything! ![]()
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"Guess what?! I got a fever, and the only prescription... is more cowbell!" |
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#10
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Puke-Mart has a lot of sales on fabric. That will be good to keep cost down. Post some pics your done.
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It's easy to stand out in a crowd when the level of competence is so low. |
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#11
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I certainly will post some photos when it's complete!
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"Guess what?! I got a fever, and the only prescription... is more cowbell!" |
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#12
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Quote:
In regards to the OC703, I suggest you also consider the Johns-Manville Fibreboard also. It is very similar to OC703/705 in size and density, but it's not flaky like 703. I had the opportunity to compare side by side and next time I will only buy the JM stuff. Buried a few pages down, I have a thread where I showed some pics and discussed the differences. Maybe search this forum for any posts I started. You should be able to find it easily that way.
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Find my tunes here >>> http://www.soundclick.com/bands/page...?bandID=741321 |
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#13
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Muchas gracias, amigo...
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"Guess what?! I got a fever, and the only prescription... is more cowbell!" |
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