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Well... I adjusted the FFW and REW speed about a week ago at R112 and R212 (tension roller height adjustment), and things were butter until just today... I went to record and suddenly lost both the "play" and "record" transport functions. After verifying all fuses in the top right section...

While I have generally used HOSA brand snakes in the past (simply due to their availability), I'm wondering what brand the rest of you use. Any opinions on whether HOSA, Pyle, or Pulsar is better than the others? I know Mogami are regarded as some of the best, but their cost can be a bit...

Okay... Need some clarification with regards to the signal path in the 388 (those flowchart diagrams in the manual are kinda confusing and haven't been much help to me). I've got two 8-channel snakes (XLR to RCA, and XLR to 1/4" TRS) Generally, I use my 388's PGM out buss to send the signal...

Is it normal for FFW mode to accelerate more quickly than REW mode? (I just notice this is the case with my deck...FFW just seems to pick up speed more quickly)

Quick question guys... I know I could take the signal from the RCA jacks at either the "tape out" or "pgm out," but if I wanted to use the "access send" jacks, could I just use a conventional TRS to XLR balanced snake (balanced on both ends) and run it into a Tascam 1641 or Presonus Firepod...

I have a Tascam 388 and have just recently bought an MRL 21T204 calibration tape. I' hopig to check the bias and set the operating level (both record and reproduce levels). I need help from some of you who've been though this before. It would be great if you could walk me through the process. I...

Posted about this on Tape Op as well. Thought you guys might think this was cool: A very pragmatic addition to any 388 user's studio. The guy who makes these has had me testing this unit for the past few months. He's a really great guy and we have collaborated via email and postal mail...