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fair enough I take your point :o bit of a lazy arse me sometimes... but to actually get it to not sound strange or unnatural, and all that work and mouse clicking and moving nodes... seriously I do plenty of dance and pop production as well and I do ENOUGH automation in that. I really dont...

I once used a 1000 on snare and it sounded great, but it was for a big band so thats not exactly anything similar to what you're doing. use your ears!

ugh - automation on 80 minutes worth of a recording? no thanks.

thanks chaps :)

thats what prompted the :confused: but I just read the 'no longer afraid of EQ' thread and I'm beginning to get the picture... :eek: :rolleyes: but still no idea who Sontec is. :D I'm a n00b remember!

:confused:

who is Southside? If Stavrou's book is the best, whats the next best (or more accurately which one is going to teach me something Stavrou's didn't?)

Should I compress the final mix or not? I'm sort of torn over this. I basically think that the dynamic range of a (case in point) choral recording should be preserved as accurately as possible... as a result obviously there are some passages which are soft and subtle, and others which are loud...

I cant admit ot owning many mastering/mixing books so I dont have a lot to compare to but.... Mixing with Your Mind by Michael Stavrou (google for it I cant be arsed to find the link now :P) blew me away and INSTANTLY improved my abilities as an engineer by a very significant amount. Its a bit...

sure... sadly I dont have the budget for a Royer!

is it possible then to make your own cables, using decent components bought from electrical supplies retailers such as Maplin (thats a UK thing, I'm sure theres many equivalents in the US)? They tend to charge a fair whack for these types of cables.... a similar thing for bnc cables to transmit...

.... as far as I can see theyre just RCA or phono cables, just in the way that an AES/EBU connection is run through XLR, and an xlr cable works fine.... or does it? anyway, does that mean I can use any RCA typpe lead to connect say a preamp's spdif output to my interface? or would I be...

cool yeah I'm doing allsorts, just recorded a choir on Thursday night at a very nice Christopher Wren church in London... there's a low quality mp3 of the reording on my (currentlly non-existent) website: www.dartlocationaudio.com/StabatMater.mp3 would love to know what you think. but as...

Please go right ahead and reccommend some to me - I have a bit of cash to spare... one feature I'm particularly looking for is phase inversion for each channel, something else the mackie desk cant do :(

Hi All, New here, my name's Jon Bierman and I'm setting up a location audio recording facility, based in London, called DLA. I'm also involved in a lot of dance music production, and I'm in a 10-piece drumnbass/breakbeat/world music band called Keiretsu (www.keiretsumusic.com) I found your...