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I'm selling five Penny & Giles faders salvaged from an unwanted board. like new. I figured maybe somebody here might be interested since they don't seem to pop up much on the second-hand market. you should be able to follow this link: http://search.ebay.com/_W0QQsassZbirdy4doa hopefully this...

ok, so i'm really close to buying an ART digital mpa. here's why: i like a colored sound, i like the sound of my tube mp (it's got a j/j tube.. i think it came like that), i have ribbon mics and i really like the idea of variable input impedence, and i need sp/dif output. so before i do that...

to any of you who own this unit: does the fireport interface stand up to the hype? as in, does it work flawlessly, under all conditions? i was burned by alesis' adat connect bullshit, and though i like the idea of the hd24, i need a unit that will interface flawlessly with my DAW. thanks

hey. picked up a pair of those nady ribbons on e-bay. they are supposedly in brand new condition, having been display models. a friend and i did some semi-scientific tests, using a white noise generator, of their frequency responses. the results are here...

hello. i want to get into the world of modding my own gear, and i figure i'll start with my art tube mp. (i don't want to hear anybody say i'm wasting my time, buy a better pre, blah blah. i'm in this to learn, and to get the most of the limited resources i have) i understand that the first...

does cool edit not support ASIO, or am i just dumb? i'd like to be able to use cool edit with my new E-MU 1212m system, in addition to all the fancier software i plan on using.

anybody like/dislike this card? basically i need the highest quality stereo analog input for recieving mixes from my soundcraft mixer. i like the digital adat ins/outs for possible future expansion. is there anything better in its price range?

maybe a juno 106 or something with an arpeggiator or sequencer. anything worth roughly the same (~$250-$350).. i can sweeten the deal a little bit if neccesary.

i have always miced my toms from the top, and the results are fine, but I remember reading that danny carey's studio setup is condensors on the tops and bottoms of all toms (boy, that gets expensive fast!)... my question is this: is it common practice at all to mic toms from the bottom or from...

subject basically says it all. what's my best deal on tape for my fostex r8? and uh.. what kind of tape do i want to use? pardon my ignorance.. thanks

here's a couple of songs from a couple of bands.. i'd appreciate any advice on any aspect of the recording and mixing (i'll take mixing advice with a grain of salt!), and maybe what else could be done in the mastering stage to polish it up. although i must say, i'm not too keen on all this...

Hello. I have a moderate home studio setup, and currently do all my mixing through a soundcraft 200b that is being loaned to me long term. a few questions, to anybody who has used one.. 1. how does this thing sound compared to budget mixers i might otherwise consider (such as the alesis studio...

hello. i got a used r8 for free (8 track, 1/4") under the understanding that it may or may not even be working properly. I just got some tape for it, but haven't tried to spool it up or whatever, as i'm completely new to analog tape. For this reason and for many others, i need a copy of the...