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I have a strong suspicion about this mix. I think I'll put it to the test and post it here.

Listen to the verb on the fiddle break. Do you want it to sound that far back?

Lovely. Everything's right - the song, the performances, the mix - everything's great (esp. the mix) , but I gotta say that all of that good stuff is just a setting for her voice. She's what I was listening to.

Enjoyed that. Good tune. 👍

Thanks for surfacing it. This is as good as Floyd. But with variation.

How timely! Yes, that works.

I like it. I'm not sure yet about the down section 1.30 - 1.45. I'd be tempted to mute something else in that section. I'd also be tempted to add something completely off the wall. I'd also be tempted to mess big time with the sound of one or more of the elements in what you already have in that...

Zlurgh. Sluice. Dobro. People had dumb nicks back then. 8-)

I have no idea if I'm hearing limiting or not. I'm hearing a great tune that makes my body move. Done. (y)

It's not loose, it's fluid. I agree about the good separation in the mix, though. Do you mix in mono and then hit the stereo button near the end?

Yeah, Decapitator will do that. :-)

You make this stuff sound easy. I think it is, for you. Super-quick rattling drum fill just before 2.00 - might be more effective to go the opposite way and be super-simple. Just one hit, or maybe two. Whatcha think?

My particular psychological configuration wants a much tighter drum part.

Kev, your description of Stu is bang on. 👍 The song: I'd be trying to record a new drum track - there's no groove with the present parts. Maybe new bass part, too. This one needs a light touch which is also tight as a tight thing.

And no guarantee that if you do wake up, you'll actually reach the end of the day. 🥸

Ten reflections of you in the shiny little knobs. (y)

Been away. Listened again. Lovely. My attention got taken by the groove, which is always a good sign. You understand groove. 8-)

Listened to the remix. When it started, I thought: 'It's too bright or lacks some low end,' but then I realized it was just the opening guitar that gave that impression. I have a question: Has anybody ever mixed a given track in a mix (eg an electric guitar track) with different EQ at different...

BTW, I asked about whether you compressed on the way in because I read your post in the Mixing Forum talking about that. (I never compress on the way in - for one thing, there's no need to. Why? Because with 24-bit recording, you can just lower the recording level to something that doesn't clip...