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  1. R

    midi fader control

    Just had a look. Perfect! Thank you.
  2. R

    midi fader control

    They actually look like exactly what I'm after. The reason I don't need to get masses of features is because the only thing I will use them for is putting expression into vi strings when I arrange. I then go on to record them with real instruments so it really is just for a guide track.
  3. R

    midi fader control

    Currently using a mouse on a screen fader, it's not ideal!
  4. R

    midi fader control

    Excellent, that looks really useful thanks
  5. R

    midi fader control

    Hi, I'm looking for recommendations for a midi fader control for adding expression to orchestral samples. Most I can find are either huge and expensive, or small and expensive with a rake of features I'll never use. There doesn't seem to be anything out there that is just a couple of assignable...
  6. R

    Question about different bit depths and spdif

    Thanks for the tip. I certainly will listen to that. One of the reasons I'm asking is so I can decide whether I should swap the 882/20 for an 888/24, then (hopefully) no truncation would be needed processing the digital signal from a better A/D. These dusty old boxes are still out there and are...
  7. R

    Question about different bit depths and spdif

    I'm learning as I go! As I understand it, floating point is most relevant when it comes to plug-ins, summing and high volume signals (do correct me if I'm wrong). Apart from auditioning arrangements for clients (rather than chucking 30 odd tracks of strings at them straight off), I never mix and...
  8. R

    Question about different bit depths and spdif

    Ah, I had wondered, thanks for the knowledge. What would be the effect of not applying dither?
  9. R

    Question about different bit depths and spdif

    Thanks James, I'd literally just looked that up! I've an old macbook pro lying around that I could do the set up from firewire no problem.
  10. R

    Question about different bit depths and spdif

    Hi Keith, Thanks for the tips. Funnily enough I hadn't thought about Digidesign! A couple of trusted and knowledgeable producers, one of who'm used the same system as me and helped me set it up told me that the inputs were the weak link. I've since had a couple of clients comment and that's not...
  11. R

    Question about different bit depths and spdif

    The dither might be an option, I think there's something in the 882 settings that allows for this but I'll check. I work full time as a remote recording string player, so cello, viola and violin get recorded through this and frequently layered to get full strings. I have much more up to date...
  12. R

    Question about different bit depths and spdif

    Thanks for the tip, I was aware that the Saffire came with software and I would be absolutely astounded if it worked on os9 :). I was kind of hoping that was just for "extras" but it's a good shout, I should check out whether it functions without it.
  13. R

    Question about different bit depths and spdif

    Hoping someone here has some in-depth knowledge of the spdif protocol. I have a very old Pro Tools system which I use on a daily basis. The AD converter is a Digidesign 882/20 io, which is specific to the DAW. The inputs are legendary for being a bit rubbish so I'd like to upgrade the converter...
  14. R

    Sound insulation problem

    Hello! Hoping someone here might have some useful suggestions for my current issue. I have been using a small room for remote session recording for a number of years using a protools system to record strings and solo violin, viola and cello. I isolate the electronics and my noisy G4 mac by...
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