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littledog, got your point on crossposting, didn't think you were being hostile in the least, thanks. I've only been here in Ann Arbor for about 3 1/2 years now, originally from Saginaw. Some of those names I've heard before but haven't hit the jazz scene here yet. Been meaning to though...

First of all thank you for your replies. Second, littledog, thanks for the warning on cross posting I'll consider that, since this is the first time I've ever done it. But could you explain what the big deal is about that. (I'm not in any way trying to be an ass or anything) I am just curious...

I'm thinking about buying a multi-band processor for mastering and was just wandering how many of you own one and could give me some opinions on what brands you like and ones to stay away from ect.... I'm looking to spend $500 or less if I can, but will spend more if it is worth it Thanks...

I'm thinking about buying a multi-band processor for mastering and was just wandering how many of you own one and could give me some opinions on what brands you like and ones to stay away from ect.... I'm looking to spend $500 or less if I can, but will spend more if it is worth it...

You might want to check here to see if any of these names are already in use. http://bandname.com/index.asp

Tone deaf is just an expression, anyone who has functional ears that can hear, can here a 'tone'. But that doesn't mean they can hear the differences between tones or recognize certain tones. That requires ear training. Heres a link to a site with some basic ear training exercises...

You would have to find out what label owns the rights to the song in question. Then you would have to contact that label and ask for permission, they will then either tell you no, or tell you yes along with what you can or can't do to the song, and if you sell your version you will most likely...

Very good point 64Firebird, this is true!!

As far as pickups go think of them as a microphone for your srtings. the farther the strings are away from the "microphone" the lower your signal will be. And the closer they are the louder your sigmal will be.

Yeah the guitar parts are pretty weak in the mix. where did you place the mic when you recorded? If you point the mic directly in the center of the speaker you will lose a lot of low end. Try pointing the mic 'between' the outer edge of the speaker cone and where the cone meets the dust cover...

What are you recording into? Are you able to add EQ durring mixdown? That may be the best way to go. I've never really liked the sound of 'Crates' , too thin and tinny for my taste anyway. Also when you add bass guitar to the mix it will make a difference.

Here's a couple of links that might help. http://www.guitar.com/columns/viewcolumn.asp?columnID=84 http://www.guitar.com/columns/viewcolumn.asp?columnID=85 Basically single coil pickups will give you that good clean and bright 'glassy' tone. Great for clean guitar parts or blues guitar...

I own a pair of the M-Audio SP-5b's and I love 'em. They have a very clean sound and are very unforgiving, meaning that you will hear every mistake or anything that sounds out of place or not quite right, wich is a good thing when you're mixing.

I just finished recording drum and bass guitar tracks for my band. I mixed all the drum tracks and they sound great when I monitor them by themselves. Now I'm mixing bass guitar and have a descent mix. But now when I monitor the bass guitar and drums together the kick seems to get lost in the...

I have a Schecter C1-plus w/floyd rose and I have the same problem. I did buy a d-tuna and they do work, but you should have your trem set up by a pro first. It took me FOREVER to set up the d-tuna. Then on the other hand I've played guitars with a Floyd where all you have to do was drop the...