Recent content by coma king

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    recorded in basement

    if anyone would like to hear what came out of my basement after 16 months of hard ass work go to cdbaby.com/comaking, remembering of course that if you lsten in low fi dial up it doesn't sound as good as it really does because those files have been big time compressed. and just in case you get...
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    monitors

    it doesn't matter what monitors i use {have used berhinger,alesis,mackie}.I always have to do a mixdown and listen to the whole thing making notes as to what is wrong and then go back and make those changes.I have never had any monitors that I could just mix it and it was perfect.
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    mastering

    i am using a delta 1010 interface with vegas pro multitrack software and soungforge 4.5 sound editor. instead of having my final product mastered. i start thinking about this when i start the recording. the most important part of a rock mix is the drums. working in the digital domain makes...
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    fender

    try an ibanez rg series and get the 1 humbucker and 2 single coil setup with 5 position switching they sound amazingly like a fender.
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    wide guitar sound

    Tukkis, is right small amounts of delay applied to each will give a big sound.be sure to use different amonts on each if applied to both. like 15 on one and 25 on the other.sorry this took so long but i can record better than i can type.just call me o"ll one finger.
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    wide guitar sound

    just use multiple mics .at least 1 distant mic (3 to 10 feet away you"ll have to decide what sounds best by trial and error. then use at least one up close mic and pan them hard left and right.
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    doubled guitars

    one thing i forgot to mention .after you record you will want the guitars imaged either off center left or right. the guitars seem to fit in the final mix better if they are close to the lead vocal.if you leave them hard left and right they will sound unatural. besides that your cymbals go there.
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    doubled rythum guitar

    heres an andther method. try using 2 mics at once. sm57 about 3 inches away from speaker 30 degree off axis, then use a different mic preferably a condensor mic 3 to 5 feet away about 1foot above cab. eq each mic differently pan hard left and right.after you have recoded them run seperate delay...
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