1. Mic
2. Apollo twin
Or
1.mic
2. Apollo twin
Here's my revised plan....
I don't know the vintech gear, but I do know I'd rather not add a whole lot of processing on the way in.
Anything the voicelive can do, you can do with the Apollo and better. The TC helicon can be a great asset for live use when it's done properly. I've heard people go overboard on it and it sounds sucky. But that's kinda not what you're asking here.
If the Vintech is really that good, then I'd put it in the chain and not use the Voicelive.
You may need to push the newly recorded audio back a bit, to line it up with the original vocal, to make up for the latency of going out and back into the computer.
I'm there. Mic -> preamp -> interface. All the time, every time. Add the crap later when you can hear it in the context of the mix.
If that were true you'd have to do the same to all recorded tracks.
Shit, you're right. I can't remember what was going on when I had to do that. Maybe I was sending the signal that I was recording...
Latency compensation will take care of the input latency, but it can't do anything about the output latency.
Yeah that makes sense. I think the thing with ReaInsert is about the way it's usually used. It sits in an Insert slot like any other plugin and doesn't require the track to be record enabled, so Reaper doesn't really know that it needs to be compensating unless the plugin itself reports latency.It doesn't matter if the source of the audio is the output from the interface or somebody playing along to the output from the interface, if it's in sync it's in sync.