gez said:
Yes I did use a program, Wavelab 4's analasys. Further investigation found LOTS of clipping!
Record the album digitally to Cool Edit Pro or whatever you have.
Look at your monitor, what do you see? Dynamics, or something like a big flat green bar?
Zoom in, can you see the clipping? That's today's mastering and you can't even blame the mastering engineer because he is forced to do it. He has the choice to smash the material or have no work at all.
Now get an old CD from the early nineties or late eighties.
Deja Vu by CSN&Y, Moving Pictures by Rush, Something from Queen or whatever.
Listen carefully, it's not loud at all, even rather soft, but can you hear the transients of the ride cymbal? I bet you can.
Now record this digitally and look at your monitor. Zoom in, can you see those trancients? Very high, short, but fast peaks and they sound wonderful.
Next listen (if you have the chance) to a huge concert grand piano if you are standing next to it.
Next go to a concert hall, you don't have to like the music, but listen to the sound of a symphony orchestra, talking about dynamics?
I bet many of you guys never had such an experience.
Today's "sound quality" sucks.
The best sounding recordings are from the mid sixties, listen for example to Frank Sinatra's "It was a very good year", recorded april 22 1965.
Go a step further, listen to the SACD of Miles Davis' "Kind of Blue", recorded in 1959. You will be astonished about the quality.
That's how music used to sound a long time ago.