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Thread: micing the drums with 4 mics

  1. #11
    jonny deep is offline Disappointing Member
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    Quote Originally Posted by Steeno View Post
    Morning all!

  2. #12
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    lurek100 is offline Newbie
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    Quote Originally Posted by jonny deep View Post
    pn is a typo. When you're mixing, hit the phase switch on one of the mic channels (it looks like a zero with a line through it).
    I have checked in my protools. cant find it.

  3. #13
    jonny deep is offline Disappointing Member
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    Quote Originally Posted by Steeno View Post
    Morning all!

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    i got it now, thanks.

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    RAMI's Avatar
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    Quote Originally Posted by lurek100 View Post
    what is pn mean?
    Quote Originally Posted by jonny deep View Post
    pn is a typo.
    Yeah.

    Sorry about that. I just fixed it.

  6. #16
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    thanks, i understand it now.

    I was searching for some overheads in not killer prices and found something better than akg c1000.
    What would you say about M-audio pulsar II or Rode NT5. they booth are in similar prices.
    also if you have any suggestions I will appreciate

    and for kick drum I will probably stay with akg d112.

  7. #17
    Highbone is offline Banned
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    Sheesh these nubs.. Track everything like you want. 4 mics, it's easy. Kick, duh, snare, duh, OH L!!!! OH R!!!. I only need three mics for your band to make a million dollars....

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    Highbone is offline Banned
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    Im red level cuz Im an asshole.. btw

  9. #19
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    Quote Originally Posted by Highbone View Post
    Im an asshole
    Can't argue with that.
    Last edited by RAMI; 02-10-2013 at 07:29.

  10. #20
    totenkopf is offline Registered User
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    You might be surprised what you can do with three mics, if your room has a good sound. For some time now I've used SM57s or Sennheiser 609 as overheads (though I put them closer to my elbows so the high hat and cymbals don't overwhelm) and a Heil PR48 for kick and I've been very happy with some of the tracks I've gotten. To be fair, I'm a much bigger fan of toms than I am of crashes and rides, and obviously you would lose some top end clarity just using your dynamics, but it sounds like you're still getting started to an extent. I would think about getting a kick mic for now and experiment with mic placement. Remember, if you have a bad sounding room, condensors will pick up more of the cymabals, but it will also pick up more of the room. You can screw the grill off the 58 and use it as a 57, put them up as overheads, stick the condensor on the snare if you want, I forget which you said you had but be careful of the SPLs, it's not really necessary anyway, and get a kick mic. It's a good place to start anyway. Hope that helps.

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