Hello everyone,
first posting in ere, so go easy on me.
I have a maybe stupid question,
right now I'm mixing a track that needs very heavy bass editing, as the bass does not lock at all with the drums.
So, I am getting into editing territory for the first time.
When editing that stuff, I use the "snap to transient" tool in Reaper to find edit points for bass and drums, and move the bass to the respective drum transient.
Now, does this provide me with phase identical transients for bass and drums?
Or should I flip phase for each transient and listen to, what sounds best?
This methodology (find transients here and there and align them) provides a slightly early feel for the bass,
so I guess I will end up nudging the bass track a little bit,
and flip phase to see if something improves,
are there any "rules of thump" (pun intended) for editing bass and drums?
tia,
b00n
first posting in ere, so go easy on me.
I have a maybe stupid question,
right now I'm mixing a track that needs very heavy bass editing, as the bass does not lock at all with the drums.
So, I am getting into editing territory for the first time.
When editing that stuff, I use the "snap to transient" tool in Reaper to find edit points for bass and drums, and move the bass to the respective drum transient.
Now, does this provide me with phase identical transients for bass and drums?
Or should I flip phase for each transient and listen to, what sounds best?
This methodology (find transients here and there and align them) provides a slightly early feel for the bass,
so I guess I will end up nudging the bass track a little bit,
and flip phase to see if something improves,
are there any "rules of thump" (pun intended) for editing bass and drums?
tia,
b00n