Listened to just the 3rd mix. The guitar(played on bass in video) note that comes screaming in during the first part is too loud. The quieter part - reverby guitar and vocal is very Lou Reed-y.
Cleveland Indians mascot as a sex pillow. It's in the thumbnail photo.
The guitars are an LTD of some sort (which is a humbucker) on rhythm, a cort effector on leads, and two shortscale basses with guitar strings on them (sort of functioning as a bari-guitar)
Bulls and strat: those vocals aren't pitch-shifted, it's Vocaloid. It is kind of goofy mix-wise, but I had to do it to fit the story.
The video mix is somewhat mastered (i.e. I ran it through Movie Studio Platinum's compressor)
Robus: I see what you're saying about the bass. I wouldn't have minded some more definition in a few spots, but I also didn't want to spend a bunch of time automating it.
MJB: Yeah, that sting is pretty loud. It is a guitar too (I just didn't film that take)
I'd do some fader riding on the lead vocal. It's too loud in the intro up to about :40. Then it gets covered up by the electric guitar. Vocal clarity is great. It has a little bite to it.
I like the little 8-bit synth thingy. You worked it in great to the song.
And believe it or not, I liked the big reverb at the end on the vocals.
Mix 3: I really like how everything is really clear and nothing stands out as too loud or boomy. Definitely a strange song but its catchy. Not a fan of the synth part as I think they don't go with the rest but its a strange arrangement and its yours lol. Good job dude
Good song. It's mesmerizing. You might as well be singing in Swahili, for all I understood. The synths or whatever those electronic instruments are, are crowding the vocals. They could come down a few dB. Bass needs to come up.
Fair enough. I'm not really planning on tweaking it since it was just a quick thing for fun, but I figured folks might like to hear a variant.
Thanks for the feedback tho.