Thanks guys. we auditioned this on three different sets of speakers and a set of AKG Headphones when mixing so we were hoping it would translate.
On my truck the snare seems to be a bit hot so maybe I'll get Mike to look at that. The vocals seem to be okay for me though if we take down the drums, I'm pretty sure we'll hear more vocals as they are in the same space.
The vocals are automated a lot and compressed pretty hard (CA2A) I think we got a pretty even balance across the song. We also have a BT Analog Trackbox plugin we're trying out. Mike's new
C414 XLS is pretty accurate so volume levels were slightly impacted by moving while singing and we had to work on that. We spent a few hours automating the vocal track yesterday to compensate.
Ray - your ears are accurate. The rhythm 20% Left and lead 30% right are panned slightly different. I just found that on the project now. I'll balance those out. I spent a while trying to get the rhythm to sit properly as the panning made it stick out a lot so I just kept dropping the volume until it blended better.
One thing we did this time was use separate buses for the reverbs and panned the buses the same amount as the dry signal before sending it to the Master. I guess we could probably have just added the plugin to the track but the bus allows for a little more volume and eq ability on the reverb.
We are using the Lexicon Native Plugins now and when a/b'ing with the Pantheon you could really hear a difference - the Pantheon had a sort of boost in the highs and was nowhere near as smooth. The reverbs are sitting at about 75% wet and are still fairly transparent. With the Pantheon I was using around 20% so you can really push the new one without it sounding all 80's IMO.
The dynamics are something we'll think about Greg. Arrangements can make it interesting if you use a little differences here and there.