HeavyMusic3000
Member
lol. alrighty, let's move on then. we need a "shakes head" emoji.
This: It's makes it more empathetic and relatable was a joke. Sheesh.
lol. alrighty, let's move on then. we need a "shakes head" emoji.
It's hard to compete with the Bob Horn's of the world because they have all of the best tools. For example, Bob Horn uses $500 power cables for his Mac rig! He swears that it makes a huge difference. His studio is amazing. His monitors are the best. That's the ilk of mojo the "big boys" use to get the freakish mixes.
This: It's makes it more empathetic and relatable was a joke. Sheesh.
...and that clash is causing conflict because he doesn't know if his feel is off.
... many pros (e.g. andrew scheps) mix only ITB on headphones these days when they're on the road, and they churn out great mixes with that setup. So it's more about knowing your gear and how it's flaws will translate, which comes from time/hrs logged not any magic "the best" gear. Great gear has advantages like getting to a final result faster...
I knew it was a joke, Heavy. thnx man
Andrew Scheps also always uses a Universal Audio accelerator and a bevy of the best plugins available. He is a self-described "plugin addict." And when you consider that something like the UA Neve bundle is $1299.00 or the Fab Filter Pro bundle $739 or the price Waves stuff and on and on... The wicked mixes are conjured via the best possible plugins.
... Sorry to derail the thread a bit. But hours/labor/knowledge > plugins.
I did NOT say that at all ...... I didn't even almost say that ........ I didn't come close to saying that.from Bob, the whole entire drum portion is worthless,
Well.... this is kind of an unreasonable expectation. It's an internet forum, not a paid service. If you're expecting detailed critiques and suggestions, you've come to the wrong place. You've been here long enough to know that. You're lucky to get more than just a "great job" in feedback. Most people don't have the time, energy, knowledge, experience or motivation to give detailed critiques. I quit doing it a year or so ago. Seriously, the attitude you showed in this thread reminds so much of Rami. Good job there. lolI feel like I'm pulling teeth in order to get a deeper understanding of what someone means or where they are coming from.
This makes me even wonder if you read his post. If someone says the "feel" isn't right, he is not going to be able to give you numbers and parameters. He is listening on the whole and gave a global observation. Feel is unquantifiable. Bob said it was a very minor thing and not noticeable. I didn't notice it, but I don't have the ear that he has.It seems, from Bob, the whole entire drum portion is worthless,
I'm not hearing any pitchiness. I listened closely for nothing but that for two verses and didn't hear anything pitchy.
It took a real long time for things to kick in. To me, I'd get to the ear candy sooner.
The drums weren't standard. But I thought they were cool. Like you conjured up Keith Moon and put him in a pop/rock band.
I liked the bass and clean guitars. The distorted have metal-level gain dialed in. I personally tend to prefer a little less gain. They kind of wash to the background and don't have much chug. But lot's of people like the tone you dialed in.
All in all, it's excellent as always.
Is HeavyMusic actually banned? I hope it's a bit of jocularity as he's tried to be reasonable in this thread....
This suggests the obvious: even your friends won't tell you because, andrushkiwt, you don't have the wherewithall to accept and accommodate constructive criticism.
You're just so insecure that if someone says they think something can be better, you interpret that as them saying it's worthless.
Seriously, the attitude you showed in this thread reminds so much of Rami. Good job there. lol
The drums weren't standard. But I thought they were cool.
Sorta like the gain structure of a mesa hi gain amp like a triple rec. they have an odd grainy fizzle that is really seperate from the rest of the tone.