using them is THE KEY to get a real proper and heavy mixing.
Of course there's always some improvement to make ^^
this is what my current ableton project looks like :
using them is THE KEY to get a real proper and heavy mixing.
Of course there's always some improvement to make ^^
this is what my current ableton project looks like :
Can't disagree with that statement enough -- It's a tool, like any other. Most of the best mixes I've ever done have no compression at all. Granted -- With exceptionally "weak" sources, parallel comp can add "that density" that might be missing easier than many other techniques.using them is THE KEY to get a real proper and heavy mixing.
And the audio on that video is crushed and pumping so hard that if you're trying to make a case for parallel compression, it's not working.
There are a million ways to skin that cat; though my mixes do have parallel compression eeeeeverywhere. And of course, guys like Michael Brauer have an extremely detailed parallel compression system that they don't mix without. I don't think it's the only way, but I'm completely in love with it
Major Label Mixing Tricks
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Yeah, blanket statements are, for want of a better word, BULLSHIT. Although, I realise that in itself is a blanket statement so feel free to call bullshit on me.
YMMV.
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Dig the track, though. Great job!
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When there is a need, then use it. When not, well....it don't.
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