"Also the delay time for Haas is between 10 to 40 millisecond. Times less than that are percseived as phase shift, times more than that are perceived as delay."
Not sure where those numbers come from. You might be confusing them with that gereral range where anything from >1 to about 20 or 30 is heard as a smear' on the original (?) but that would be in a mono setting..
Ok, this is what I get. Review time, plus some stuff I didn't notice before..
Panning starts right off down around three or four tenths of a millisecond. It's about as far 'left as you're going to get by about 2ms.
This is cool- On a mono (of course) kit mic track, at above 3 or 4 ms up to around 10 the 'kit image still plays' from the left -all the attacks, presence, but the late side starts to sound like it has the back end of the envelopes, similar to what you might get on a panned compressed room track. 6' and up, it's definitely sounding more like pan with a stereo width effect. But totally cool as I would have never thought that and would have always gone for 20-40+ for that 'effect.
The same thing on a vocal though- No go. Pans at 2' ok, but mostly just sloppy image in the higher range.
Bass bleed on the kit track- Kool Stupid Pet Trick- Stays center and reinforced through bother speakers -as apposed to a 'one-speaker' hard pan.
Bass D/I solo- Same trick, the bright edge' pans well but the bottom hangs in there in both speakers.
Down sides- The delay-pan doesn't hold up well at all as you shift listening position towards the delayed side. -No better than a volume pan at 75%. -Phasier' than volume pan as you pass from L-R in front of the speakers. -Any other short stereo reflections on the track- kills it dead.
Dinner time.
