LOL (literally, for a change).
[SIZE=1][B][COLOR=DarkSlateBlue]Glen J. Stephan,
SouthSIDE Multimedia Productions[/COLOR]
[COLOR=DarkGreen]RECORDING RESOURCES AND INFO SITE:[/COLOR]
For Mastering, we run into two common mixing issues that I’d like to touch on. 1. If in doubt mix cymbals lower rather than higher. They’ll come up in the mastering process and it’s hard to work with them properly if they’re mixed to loud. 1. De-ess the vocals. Sibilance can be difficult to work with if it’s not reasonably addressed in the mixing stage.
nice one. Found this quite worthwhile
This article is awesome! I've always wondered about this mastering thing
I have also always wondered about the mastering thing!
I'm sure I'm in the minority on this thread, but I think that mastering is a thing of the past. It is a great luxury if you can afford it because it gives you that last set of ears and one final chance to fix any problems. However, a great part of the mastering engineer's job has always been to make sure that a CD sounds coherent in its sonic qualities and to fix spaces in between songs. The CD is a thing of the past, and most music is listened to as singles in a shuffled playlist. The major record labels are slowly fading away, and artists are stepping more and more into the role of recording engineer/mixer. Today there is more music coming out than ever before, and most of this is coming out on a low budget. This budget is likely to be spent on a mixer who can also master.
That said, if people continue to care less and less about the audio quality of the music they listen to, who gives a shit if it was well-recorded in the first place I guess...
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