dobro
Well-known member
I heard this from a mastering engineer in a promo video from Ozone: "You wanna make sure your clients' music is competitive and contemporary."
Okay, so here's me in the cheap seats responding to this with 'I don't care whether my mixes sound competitive and contemporary. It's not a competition. I'm just making my mixes sound as good and as alive as I can. Screw what anybody else is doing.'
Do you try to make your mixes sound like commercial stuff you admire or think is worthy of emulation?
Okay, so here's me in the cheap seats responding to this with 'I don't care whether my mixes sound competitive and contemporary. It's not a competition. I'm just making my mixes sound as good and as alive as I can. Screw what anybody else is doing.'
Do you try to make your mixes sound like commercial stuff you admire or think is worthy of emulation?