Splitting hairs to some - But this - the creation of the master - IS mastering. Back in the day (and that day wasn't too long ago for that matter), the whole point was to simply put the audio on the final medium while changing it as little as possible to create a compliant final production master (hence the self-defined word). All this "sweetening" and "loud" and what not are relatively modern additives to the process.
Anyway - On to your question. I'd imagine Nero will do the trick. Reaper certainly will also (Reaper will also export DDP, which is what you should actually be using if you're replicating discs). That said -- *embedding* that information and *reading* that data are two completely different things. If you're looking for that information to show up in the rare (usually automotive) player that actually reads CD-TEXT data, there you go. If you're looking for that info to come up in a typical computer program or what not, that's usually a completely different and unrelated set of rules.
That all out of the way -- It's (creating a compliant digital replication master) not exactly rocket surgery - But it's rarely as simple as throwing a bunch of files into a program and having it output a disc (or DDP). "Compliant" doesn't necessarily mean "done properly" if you know what I mean. The time between the start points and the first purposeful oscillation, end points and pause markers (if used and used properly), pre-gap (automatic in some programs, missing from others) - Just make sure you know what you're doing if you're making a quantity of discs for commercial release. I have plenty of horror stories....