External USB Interface + Internal Sound Card?

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New member
Hello everybody,

Beginner question here.
If I'm going to use a n external box like MBox2 or Nanoface for example, do I need to have a good internal sound card as well?
Or are the two not related?
If I should also get a good internal sound card, what would you recommend? In the $500 range maybe?

Thanks
 
If you get an external USB sound card you do not need another one inside your computer. As for product suggestions, there are so many models I can't try them all. But I've been very happy with my Focusrite Scarlett 8i6, and Focusrite makes a number of fine USB interfaces with varying numbers of inputs and outputs.

--Ethan
 
The external audio interface becomes your sound card when you use it.

When choosing an AI, the first thing to consider is how many simultaneous tracks you need to record separately at one time and how many microphone preamps you need.
 
Thanks for the replies.
Ok, so the main thing is how many channels will be needed.
What about warming up and juicing up the signal going into the box?
Is it worthwhile to get like an 8-track mixer with lexicon verb for example?
Or a good standalone preamp and separate good verb box?
If so, any suggestions are welcome.
 
You're generally better off recording your tracks raw/dry and doing any "juicing up" in the mix. Once you've recorded a track with an effect, it's unchangeable even if you decide something else would sound better when you hear the whole mix together.

As for separate pre amps, my personal view is that they're not worth it unless you've spent a LOT of money on the mic and are willing to spend an equally big "lot of money" on the pre amp with a specific goal in mind in terms of how you wish to vary the sound. The internal pre amps in most interfaces are generally pretty neutral and useable. Others have different ideas of course.
 
Standalone preamps are useful if you have a specific aim in mind and they have a specific attractive tonal quality that you want... but do your research... "warming up" ain't necessarily what you think it is...
 
If you’re serious about your music I wouldn’t use a USB interface for real-time recording. Yes I know, plenty of companies sell them and thus plenty of people buy them, but I put them in the “Toy” category when it comes to professional standards.

A 10-year-old buss mastering PCI card will run circles around any USB interface. USB is everywhere of course in the amateur recording world. As a computer consultant for the last 12 years and a recording engineer for the last 30 years it puzzles me to no end how USB ever managed to make such inroads among consumers.

:facepalm:
 
That is simply not true anymore. There are excellent, fully professional USB2 interfaces used widely in the industry--check out some of the offerings by MOTU and RME.

Even if you go to less expensive USB2 interfaces, the offerings from companies like Focusrite, Tascam and M Audio are capable of excellent quality and acceptably low latency.

Yes, there were some good PCI interfaces 10 or 15 years ago (though there were some dogs as well--the interior of a computer is a noisy environment and poor design showed quickly) but development of PCI gear hasn't really taken place in the last ten years. If I was buying new, it would be USB2.
 
If you’re serious about your music I wouldn’t use a USB interface for real-time recording. Yes I know, plenty of companies sell them and thus plenty of people buy them, but I put them in the “Toy” category when it comes to professional standards.

A 10-year-old buss mastering PCI card will run circles around any USB interface. USB is everywhere of course in the amateur recording world. As a computer consultant for the last 12 years and a recording engineer for the last 30 years it puzzles me to no end how USB ever managed to make such inroads among consumers.

:facepalm:

No disrespect, Beck, but perhaps you should catch up on your reading. And "run rings around" in what respect?
 
Even if you go to less expensive USB2 interfaces, the offerings from companies like Focusrite, Tascam and M Audio are capable of excellent quality and acceptably low latency.

Indeed. I've been thrilled with my Focusrite Scarlett 8i6. It's extremely clean and very quiet. It installed without a hitch and hasn't glitched or failed even once.

--Ethan
 
This seems to be the Thread I've been looking for!

First off, we are using CakeWalk Music Creator 6 for mixing purposes. We DO NOT record directly to the computer. We have a TASCAM 2488 Neo, which is capable of recording 8-tracks simultaneously, 24 tracks total. I then dump those tracks from the Tascam to the PC and mix. The PC I'm using is pretty damn old and I must upgrade. Damn I think it might even be a Pentium III class. So, processor is slow, memory limited, CONSTANTLY cleaning up hard drive for space. It's adequate, but I have had it seize on me a few times. Really frustrating when you forgot to "save" a project as you've been mixing it.

Anyway, I was pretty sure I was going to get another desktop, since I've read the "Desktops are better than laptops" when it comes to this type of stuff. Really would prefer a capable laptop, but got to thinking about the audio output issue. I put a SB-Audigy card into the desktop sometime back, and the improvement in playback audio was drastic. Started thinking that maybe a laptop with an external audio card would be the solution I was looking for. Again, we DO NOT record to the computer, so I'm only looking for playback capabilities from the external audio interface + a laptop that will handle mixing up to 24 tracks. As with everything, $$ will be a deciding factor. Any help is greatly appreciated. I've been struggling with this decision for about a year now.

Thanks!
 
If you are only going to use the audio interface for playback (in other words, D-to-A conversion), then you can get away with a simple stereo device like the M Audio FastTrack Pro or Focusrite Scarlett 2i2. However, when that Tascam finally gives out on you, you may wish you had bought an interface that would let you record as many tracks separately at the same time. :)
 
91LesPaul - This is exactly what I plan do (except I use a Tascam DP-24 and then will be mixing on a laptop). After a lot of research, I decided to get a Focusrite Scarlett 2i2 USB. Haven't received it yet, but based on what I've read, it seemed like the best solution. BTW, the Tascam DP-24 has been great for me.
 
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