There's the ultimate....and then there's reality.......

Oh crap! Boy do I know what you mean. Lol.
Today. MAX decided to take a tap and die set out into "MaxWorld"

Why??? I have no other idea other than, well, he's Max.

I had a little troll figure on top if one of my monitors. You know those little things with orange hair sticking out of the head.

Anyway somehow he managed to get up on the console and reach his jaws up to the troll. Its a 3 foot reach from the edge of the mixer to the monitors.
He hauled it away and chewed it all up in "MaxWorld"
I'll have to install video security cameras just to see how he pulls off these stunts.
:D
 
And some opt for fancy leather seats in their 'super ride. ;)

Yeah, people's priorities are all over the place.
I don't really go in for extravagances outside the studio. I mean, spending $5k for a week at some island getaway, with room service and mints on my pillow...just ain't my thing. Don't get me wrong, if I really had $$$ to throw away, I would indulge in that stuff too...but I know people who will run up CC debt over shit like that or some cruise to nowhere.
I would rather drop $1500 on an amp than piss it away at some casino for a couple of days...etc.

I also have no life. :D
I go to work...I come home...I spend time in my studio. Yeah, some minor distractions, and of course the usual "welcome to life" BS...but nothing much else.
Speaking of life...I just spent the last 3 weeks dicking around with a water main leak from my well. Normally, you would have the line about 4' down up here in NE, and across your lawn ...but the previous owner decided to redo the front yard, built all these fucking massive retaining walls and terraced gardens...all on top of the water line.
Took me 3 weekends of hand digging (8 FEET DOWN!!!) 4 different holes in-between the retaining walls just to find the damn pipe...when I found it, turned out the leak was on a section that ran out under my parking area. At that point I got serious, and rented a small excavator for a couple of days, dug down to the pipe, found the leak, spliced in a new piece of 1" poly pipe, clamped it in, and buried the sucker.
This weekend I'm now putting back all the shit I had to knock down and push out of the way to dig the holes. :facepalm:

This all happened right after I finished the Trident overhaul...so the whole time I was out there busting my ass...all I could think of was how I could have been recording with it in my comfy studio all that time ....but, it's there waiting, patiently...I'll be in the studio very soon. :)


Still listed? Where? I thought I took them all down...fella committed to come get the whole shebang middle of next month...he paid and everything.


You know...I thought I saw it on GS the other day...but now that I think of it, it's that other MCI that's on there.
Anyway....I'm happy for you that you got someone to take the whole thing (well, kinda sad too, I know that was you baby). At least it's going to a new home complete. I hate to see a great piece of gear get all chopped up and parted out.


Cats seem to be a running theme through here.... except for Miro..... I'm betting he has a electronic cat zapper at the studio entrance.......

How wrong you are! :p
I'm actually a life-long cat lover. We've always had cats in my family.
Right now I have three...two indoor cats, and a stray that lives outside in the summer, and then I bring her into the foyer during the winter, but she doesn't mix with the other two, though they have all crossed paths, but there's no fighting.

My two cats have a special "loft" that I built in the corner of my studio just for them. If you look at the first studio picture I posted earlier, and look at the rack that is in the corner...and you can see the loft on top of that rack.
They will hang there the entire time I'm in there recording...unless I'm tracking drums. The young male cat also doesn't like real loud lead guitars, but my older female will sleep through anything. When I'm tuning the guitar, she comes over and meow...something about certain notes...it's funny as hell.

This is an older picture of her on my studio monitors...before I built the loft for them.

studio_cat.jpg


Here's the two of them.


Cats.jpg
 
Dang, you analog guys have some impressive setups (and some "impressive" critters :)). And I'm really amused by your pet stories. Also, bachelorb, I think you've got a sweet mobile setup. It's like the Stones' rig back in '72 :D

I'm all "in the box" so I'm an outsider here, but I do have a studio and a few 4-legged beasts of my own. Fortunately they've never been into vandalizing my gear. Although right after my basement studio was finished and it was finally a habitable space, Bruno the standard poodle decided to defile my brand new studio rug. Right in front of me. No shame. He has since realized that this is a sacred space to me, so now his involvement is limited to sniffing and nudging everything with his nose. He pushes on things with his snout, just to see if it moves, if it makes a noise, if it falls over, etc. He about shit himself the first time he nudged the floor tom on my new drum set and a drum stick fell off of it...he shot out of here like he was on fire.

This is Bruno "helping":

005 (Large).JPG
 
Evil cat-dog tag teams.. :rolleyes:
Trashed tap and dye sets...:facepalm: :rolleyes:
Our dog and cat are both rescues.
Cat's call is Riddy' (Riddy kitty ...'works.
His real name, the one he earned,
be Rididc :rolleyes:

DSCN0167.JPG
 
Back on task.... JP and Miroslav..... y'all need to give me your addresses, so when I outlive y'all, I can go to your estate sale!!!!

.....and I'm beginning to believe that one of you may like Gibsons.........
 
Back on task.... JP and Miroslav..... y'all need to give me your addresses, so when I outlive y'all, I can go to your estate sale!!!!

.....and I'm beginning to believe that one of you may like Gibsons.........

I'm leaving everything to the cats. :laughings:

Oh...and if you're referring to my picture with all the guitars...those are not Gibsons, they're all Hagstrom Swedes, with the three on the far right being Hagstrom Deuces (basically a double-cut Swede).
Don't feel bad...for as long as I can remember people would at first glance, think I was playing an LP...until they look at the headstock (which are hard to see in the picture).

The four in the center are vintage Swedes from the mid-'70s, and the rest are reissue Swedes.

Yes...it's a sickness...yes, I really like Hagstrom Swedes. :)
 
......alright..... I gotta ask.... I'm a Martin, Harmony, Fender (when I get more room...)guy. Fender and Harmony because that's what I started on, and Martin because I was blown away by the sound(.....not by me, but famous beagle does a great impression of what I heard....)

Why Hagstrom Swedes???
 
Always loved vintage Swedes myself.
I first saw one on a Kansas album where the guitar player had one. I said whoa, did a double take. That's similar but it isn't a les paul. Then saw ads for them. I was hooked.:D
Ive had about 7 or 8 of them, but never a reissue.

Miro, did you mod or buy them modded?
The 4 don't have the smaller crescent shaped tail piece.


Here's a partial shot of my setup.
20160304_190444.jpg
 
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Why Hagstrom Swedes???

I bought my first one in 1975 (if you look at the picture, it's the blond one, right after the black one at center-right).
It was love at first sight...there's just something about the look of the Swede. They have the same basic body cut like the LP, but if you had them side-by-side, the Swedes are rounder (and sexier) in their curves, and have a nice indent for your ribs, plus there's that headstock, which is IMO one of the coolest looking headstocks out there, and then there's those crazy art deco tuners.

Now that was just the first impression....but after I played it for awhile, and whenever I picked up a friend's guitar...I realized that the feel of the Swede neck was just perfect for my hand.
I've had many an LP player try my Swede, and they're always surprised at how fast and smooth it is to play...except for that crazy bunch of LP players who just prefer a 2x4 neck. ;)

I've had other guitars...and I still do, though they are on a side wall. I've got a '52 RI Tele, an Ibanez Artcore small-box semi-hollow with cherry colored bubinga wood, and a Deusenberg '49er...plus I also have a Hagstrom Viking.
There were others over the years, but at one point, I just started buying the reissue Swedes, and I really like them as much as I do the vintage ones...and little by little, the other brands thinned out, and I ended up with the wall of Hagstrom guitars. :p


Miro, did you mod or buy them modded?
The 4 don't have the smaller crescent shaped tail piece.

Nope...the 4 vintage guitars are 100% stock (though the dark blond to the left of the cherry one, I had it refinished as it had too many nasties on it when I got it).
These tailpieces were used during the mid-'70s...right before them there were some smaller, crescent shaped ones (is that what you mean) and then after the mid-'70s they went to the covered ones...which is what the reissues also use.
There were also a couple of bridge revisions too over the years.
I specifically look for the vintage Swedes that use the hard tailpiece and the bridge like mine have...but at this point, I don't plan on adding any more vintage Swedes unless something really great comes along at a killer price....which lately, has gone up a bit on eBay. I see guys paying close to $1k for ones in tip-top shape...where a few years ago they would maybe fetch $650-$750.

The black one has a funny story about how I got it.
So there's some eBay seller (a chick) with like maybe only a dozen eBay transactions that put it up for sale, w/OHSC.
It was right around the holidays (about 5-6 years ago)...and she's got a $385 starting bid on it.
So I watch it for awhile...and the thing comes to the end, and NO ONE has bid on it.
So I bid on it and I get it.
Wait a few days, can't get any response from the seller.
Another few days...nothing.
Now I'm getting pissed, so I get eBay involved...and as it turned out, because she was fairly new on eBay with only a few transactions, PayPal held my money until I received it and left feedback.
So now PayPal has the money and I tell them I want to kill the transaction since she is not responding.
They get involved with her, and all of a sudden I get an email with a UPS tracking number.
OK...I guess they motivated her...and then she sends me a message all pissed off that I contacted eBay and PayPal...and she's telling me she was in the hospital for a week, and that's why she never responded...meanwhile, she was listing new items during that entire time (I guess from her hospital bed :rolleyes:), which I point out to her...and now she's really pissed because I called her out, but what do I care, the guitar is coming to me.

Now, I was a bit worried that I was going to get a lemon, and that she would screw it up or something...but it arrives, and I open it up...and man, the guitar is minty, mint w/OHSC!!! :cool:
That was a STEAL for $385!!! :D

Oh...and the chick seller....a few weeks later she was gone from eBay....go figure.
 
Maybe it's just veiwing a small pic on my phone, but your T/P looks bigger. Like a gibson stop tail.

Every early 70 to 74, I've owned or seen has the smaller curved TP. It fans out towards the bridge.
Later they went to a bigger, more Gibson style TP to get straighter string pull to the bridge.

And heeeeere's MAX!
20160826_215951.jpg

Edit; I don't know why the F the pic turned out sideways. Can't fix it on my phone. Sorry.
 
Haha! Hes a big boy. Here's the 'troll' he ate. Not really a troll, just the best name I could think of.

Always approved of any music I did, but alas, he's dead now.
:D
20160416_163052.jpg
 
Maybe it's just veiwing a small pic on my phone, but your T/P looks bigger. Like a gibson stop tail.

Every early 70 to 74, I've owned or seen has the smaller curved TP. It fans out towards the bridge.
Later they went to a bigger, more Gibson style TP to get straighter string pull to the bridge.

It has a very mild curve to it...and it screws right into the body...it's not a "hook on" type.

Here's a close-up of just the vintage Swedes:


VintageSwedes.jpg
 
Hey FB..... How do you like those small monitors??? I do everything through headphones, but I'd like some.

......and how does a guy with the name "Famous Beagle", not have any animals in his studio?????? :D
 
Hey FB..... How do you like those small monitors??? I do everything through headphones, but I'd like some.

......and how does a guy with the name "Famous Beagle", not have any animals in his studio?????? :D

You didn't notice all the little "famous" beagles strewn about the monitors, shelves, and the like? :)

We have one dog and two cats, but they don't spend much time in here.

I assume you're talking about those little cream-colored monitors. Those are Avantones, which are supposed to be kind of clones of Auratones.

Avantone Audio MixCubes | Sweetwater.com

I have the passive kind (got the pair used for $150) because I already use a power amp for my main (the black ones) Yorkville monitors. So I just got a speaker selector (that black box that the screen monitor sits on) to switch between them.

The Avantones are very mid-rangey. I go back and forth between the Yorkvilles and them, compromising until I get a good sound (referencing a commercial track in the same vein) in both. Once I do that, it usually translates pretty well to most other systems.

I've never tried mixing solely with them, so I can't vouch for that. However, Quincy Jones claimed to have mixed Thriller almost entirely using the Auratones. I think he said he spent about 85% of the time listening to those.

Similarly, Chris Lord Alge said in an interview that he spends the majority of his time mixing to a little $30 boom box -- much more than his full-range monitors. But I digress...

Anyway, to answer your question, yes I like them. I don't particularly enjoy listening to them --- it's not really a "pleasant" sound --- but they've helped my mixes considerably.
 
Right now, I'm using Sansui SS-20 headphones that I saved up my allowance to buy....... anything has to be better than these.....(I do kinda like em though.....)
 
Right now, I'm using Sansui SS-20 headphones that I saved up my allowance to buy....... anything has to be better than these.....(I do kinda like em though.....)

IMPO, the most important thing you can do is reference recordings that you like --- or, more specifically, ones that have a sound similar to your song --- on the same system with which you're mixing. For you, that would just mean plugging your phones into your mp3 player, CD, or phone (or whatever) and listening to songs that way, then plugging them back into the 4-track and comparing your mix.

Alternatively, you could plug a source (mp3 player/CD/etc) into your 5/6 or 7/8 line inputs so you wouldn't have to replug your headphones. (Of course, you may have to repatch some cables if you're using both of those stereo pairs as effect returns.)

I just looked at your picture again, and wow .. those cans look old! :) I have no idea how those sound, but if they're lacking in that department and you're looking for something else, I have a pair of these and they're totally decent. Can't beat the price either!

Behringer HPS3000 High-Performance Studio Headphones | Musician's Friend

I also have these and really like them a lot:
Tascam TH-300X Studio Headphones | Musician's Friend

My main phones are these, which are somewhat of an industry standard (from what I've read):
AKG K240 MKII Pro Studio Headphones - Over Ear, Semi-open | Sweetwater.com

They're great for monitoring and mixing, but they might not be the best choice for you because they're semi-open, which means they bleed into microphones quite a bit. The first two I mentioned don't bleed much at all, especially the Tascams.
 
Thanks Beags..... Really.... That referencing stuff is something I've never done... I can see where that would be very useful..... As for the Sausui's....... 1978 baby..... 10 dollars and a Peter Frampton (Comes Alive) and a Bob Seger album (Live Bullet).... He still thinks he got the better end of the deal.....
 
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