Is the ADI-2 all that? At that price, maybe I should go for the ULN-2?
Using MAC w/ DP/1224/2408mkii-324 PCI
I think its time to upgrade the ol' convertors.
Room is treated, front end is decent- ADesigns P-1 (x2), Grace 101, Soundcraft SX for other duties. Mics 414, Sm81x2, GT44, M160, M201, AT 4050, EV408, Audix D1x2, Senn 421, e609 (black).
Some outboard Lexi MPX500, ART PRO VLA, RNC
Monitors Event PS8's
I just feel that there is a vail over the tracking and mixing process. I've got a grasp on the back end w/ the monitors, and can gage where things fit across the spectrum. I could use some more mixing chops, but my mixes are ok I suppose. I can link some mixes if needed.
Tracking @ 4 tracks at the most, so I consider the RME FF800 maybe overkill. BUt it would be nice to have the extra channels for a hybrid ITB/OTB mixing scenario. However I do have a lingering feeling that better monitors would help also.
Opinions?
T
Using MAC w/ DP/1224/2408mkii-324 PCI
I think its time to upgrade the ol' convertors.
Room is treated, front end is decent- ADesigns P-1 (x2), Grace 101, Soundcraft SX for other duties. Mics 414, Sm81x2, GT44, M160, M201, AT 4050, EV408, Audix D1x2, Senn 421, e609 (black).
Some outboard Lexi MPX500, ART PRO VLA, RNC
Monitors Event PS8's
I just feel that there is a vail over the tracking and mixing process. I've got a grasp on the back end w/ the monitors, and can gage where things fit across the spectrum. I could use some more mixing chops, but my mixes are ok I suppose. I can link some mixes if needed.
Tracking @ 4 tracks at the most, so I consider the RME FF800 maybe overkill. BUt it would be nice to have the extra channels for a hybrid ITB/OTB mixing scenario. However I do have a lingering feeling that better monitors would help also.
Opinions?
T