♫♪♫ I have a fever and the cure is cowbell ♫♪♫ .......... *LIVE FREE OR DIE* .......... ♫ I'm all ears ♫
☼ Mucho Loco Henry Areebah! ☼
Any mic you buy will be perfectly suited to your needs, until you use it long enough to learn that it's not.
I had one of those! And they had the numbers on the volume knobs in reverse because a volume knob is going to infinite ground at zero .... so the numbers started with an infinity symbol and went backwards from the infinity to like, 64 or something and got smaller until at wide open they were marked zero!
I had the 16 channel model and they were huge!
Also had pretty good patching capabilities for the time and a built in electronic crossover!
Memories.
If you know the secret codes you can get by the mastering boss on level 8.
I had an Earth PA ( looked just like Peavey) back in like 1972!
♫♪♫ I have a fever and the cure is cowbell ♫♪♫ .......... *LIVE FREE OR DIE* .......... ♫ I'm all ears ♫
☼ Mucho Loco Henry Areebah! ☼
Any mic you buy will be perfectly suited to your needs, until you use it long enough to learn that it's not.
Then went pretty much high tech from there and got an EarCraft PA. Nice stuff at the time but needed a 22 foot box truck to carry it all.
♫♪♫ I have a fever and the cure is cowbell ♫♪♫ .......... *LIVE FREE OR DIE* .......... ♫ I'm all ears ♫
☼ Mucho Loco Henry Areebah! ☼
Any mic you buy will be perfectly suited to your needs, until you use it long enough to learn that it's not.
I understand the mentality that Mixers are not a "need" for most home studios. However, in my case, it is a need. I often sample music and or do mic and music tests with my daughters when we play a certain song, which does not involve the computer at all. I have KRK Rokit 8s for reference during actual recording, but I use Peavey PR15s through a crown amp to practice vocals and backgrounds during practices. So the mixer serves doubly duties. Sometimes live practices, other times actual recording.
I continue to use mixers ..... I just find the abudance of knobs and patching capability, ease of EQ'ing and so forth is something I want and prefer. But then I'm pretty old school ... having done it the old way so long it's kinda intuitive for me now ...... why change?
If you know the secret codes you can get by the mastering boss on level 8.
I also use a mixer--but mine is orders of magnitude more capable (and expensive) than an entry level Behringer.
As Lt. Bob says, you get to a stage where the patching capabilities become at very least convenient, if not essential. However, unless you're very careful about what you need, most entry level boards will come back to bite you when you discover that you can't get a signal from "there to there". They also do no favours in terms of sound quality.
This is why, if somebody DOES need a mixer, I tend to favour the idea of a decent one second hand rather than a brand new cheapie.
(Or, in my case, I squandered a large chunk of the lump sum I got when I collected my pension.)
The pessimist sees the glass as half empty. The optimist sees it as half full. The realist just drains the darn thing and gets a refill!
If you know the secret codes you can get by the mastering boss on level 8.
Consoles and and outboard gear rules!
♫♪♫ I have a fever and the cure is cowbell ♫♪♫ .......... *LIVE FREE OR DIE* .......... ♫ I'm all ears ♫
☼ Mucho Loco Henry Areebah! ☼
Any mic you buy will be perfectly suited to your needs, until you use it long enough to learn that it's not.
There are currently 1 users browsing this thread. (0 members and 1 guests)
Bookmarks