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Thread: Need headphone recommendations.

  1. #11
    Jammeez is offline Junior Member
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    It's been less than 24 hours that I've been researching headphones. I've only been computer-composing for 2 months, so I'm still using my Logitech headphones - the ones I bought for Skyping. Now that I'm thinking seriously about where my music is going, I need 'phones that tell me the truth about my mix.

    Had an acquaintance suggest BeatsbyDre... looked for them online and then called around for some place I could get a demo. And then the sales associate gave me his opinion. (He also dabbles in computer-composing.)

    Pretty sure I know what your opinions will be. Would still like to hear them. Also, being knew to the industry, this is the first I've heard of the 'conventional wisdom about mixing on headphones'. But it makes a lot of sense. Could someone briefly explain it? Is it like an unwritten rule of recording? Is there somewhere I can study up on stuff like that? (edit: I found another thread talking about the subject of mixing with headphones.)

    I was advised to go
    Sennheiser...
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  2. #12
    DarrenVocal's Avatar
    DarrenVocal is offline The Asian
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    Quote Originally Posted by Jammeez View Post
    It's been less than 24 hours that I've been researching headphones. I've only been computer-composing for 2 months, so I'm still using my Logitech headphones - the ones I bought for Skyping. Now that I'm thinking seriously about where my music is going, I need 'phones that tell me the truth about my mix.

    Had an acquaintance suggest BeatsbyDre... looked for them online and then called around for some place I could get a demo. And then the sales associate gave me his opinion. (He also dabbles in computer-composing.)

    Pretty sure I know what your opinions will be. Would still like to hear them. Also, being knew to the industry, this is the first I've heard of the 'conventional wisdom about mixing on headphones'. But it makes a lot of sense. Could someone briefly explain it? Is it like an unwritten rule of recording? Is there somewhere I can study up on stuff like that? (edit: I found another thread talking about the subject of mixing with headphones.)

    I was advised to go
    Sennheiser...
    In my opinion, Sennheiser beats "Beats" anyday. Beats' headphones are overpriced to me considering the technical specifications and all that. Many people on the forum would recommend you to get the Sennheiser HD280,just like how they recommended me. Have fun!

    Cheers,
    Darren

  3. #13
    Lt. Bob's Avatar
    Lt. Bob is offline Spread the Daf!
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    Quote Originally Posted by DarrenVocal View Post
    In my opinion, Sennheiser beats "Beats" anyday. Beats' headphones are overpriced to me considering the technical specifications and all that. Many people on the forum would recommend you to get the Sennheiser HD280,just like how they recommended me. Have fun!

    Cheers,
    Darren
    reviews on the beats aren't very positive. They have a hyped bottom end and that's not what you want for studio work or evaluating mixes.
    If you know the secret codes you can get by the mastering boss on level 8.

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    Old Boy Tim is offline Registered User
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    ''reviews on the beats aren't very positive. They have a hyped bottom end and that's not what you want for studio work or evaluating mixes''

    Awful headphones and you are 110% right the worst cans you could buy for studio work.

    I am a little odd thou as I use sennheiser HD25's..... i know they have quite a strong lowmid and maybe a tad to bright high end but for ears they feel right and work within my needs.
    Again with all sound equipment IE speakers, headphones and what mic sounds better than A or B etc its what you like and what suits you that counts.

    Just because i find the BEATS pretty poor some my love them and maybe completely disagree

  5. #15
    Bobbsy's Avatar
    Bobbsy is offline Boring Old Git
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    Quote Originally Posted by Massive Master View Post
    If you could guarantee that no one would ever listen on anything but headphones, that could make sense. Until then, "shooting for the mud" never really works out.
    Frankly, for this to work it couldn't just be everyone listening on headphones--they'd all have to be on the SAME headphones considering the differences I hear on various ear buds and cans.

    If you can get a good mix on decent monitors, it'll sound okay on pretty well any headphones. The opposite doesn't apply.

    As for a choice of headphones, if it was me, I'd go with a set of Sennheiser HD280s. I find them comfortable over long sessions and that they provide a good, neutral sound.

    A very close second for me would be the Grados that Massive Master mentioned. I've used them in the past and only replaced them because they were stolen--I was looking for another pair needing something that day and substituted the Sennheisers when I couldn't find the Grados in stock--and have now come to love the Sennheiser.

    I'm not a personal fan of the Beyer Dynamics--I find them very hard to wear and a very coloured sound, but everyone is different.

    I have a pair of Sony 7506s that I use for live work...they have enough level to be able to check a channel even in a loud room but they're not the most accurate or comfortable headset out there.
    The pessimist sees the glass as half empty. The optimist sees it as half full. The realist just drains the darn thing and gets a refill!

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