I've never used a large condenser, so it should be fun to play with. As I understand from Dragon's article, large diaphram condenser mics are the most sensitive (and, thus, best sounding?) of the microphones that don't require selling a family member to afford...
If this one is cheap, though, for what applications, if any, would it be more appropriate than, say, the Shure dynamics? I have a pretty wimpy voice, so I have been looking forward to cashing in on the proximity effect of the SM58. (I'm using "real equipment" for the first time; my previous experience has been with - gasp - a $12 Wal-Mart computer mic and the crappy sound card that came pre-installed in my computer. I've been collecting equipment, and plan to buy the computer that will serve as my DAW next week. Happy me!)
I'll have the following in my studio:
SM57
SM58
Roland XP-30 Keyboard, w/ cheap Roland monitors
Epiphone LP Extreme guitar (got it for $250 because it was ugly)
smallish Peavey practice amp (50 watt, maybe?)
Montana (cheap) acoustic guitar
my voice
DAW:
1.4 GHz Athlon, 768 MB RAM, 2x40GB 7200 RPM Maxtor drives
Aardvark Q10
Don't have studio monitors yet, and I'm hoping to scrape by with the smallish Roland monitors until I can afford some Event 20/20s or something. But that's off-topic. Hopefully, I've given you some idea of what I'll be trying to record. What would you use the SE2000 to record in my shoes? Or would you at all?
Thanks so much for your help! This community really rocks!
-j