Well, it's basically the same as an mxl-603 -- which some people like as overheads. Some don't. They tend to be a bit bright ... sometimes grating with loud cymbals.
hmmm. that would definitely be unfortunate. see- i've got one on the way that i'm gonna be using on acoustic guitar and vox, but i might need to use it as an OH.
what does everyone think about using a 990 alongside a b1 as OHs? I know, I know-- you're not supposed to use two different mics as OHs cuz they throw of the stereo picture- but i'm broke, you know. it can't be THAT bad, can it?
what does everyone think about using a 990 alongside a b1 as OHs? I know, I know-- you're not supposed to use two different mics as OHs cuz they throw of the stereo picture- but i'm broke, you know. it can't be THAT bad, can it?
I'd just use the single B1 placed over the center of the kit - instead of a B1/990 OH stereo pair. You can make some great tracks with a single good OH mic.
But, hey, try 'em out. You'll have both mics there, so you can decide for yourself.
I only have a SP B-1 and a 990 and some 57's and 58's. I used the 2 LDC's for room Mic's at a live gig (with the shures on amp cabs), and the 990 worked good for a room mike the B-1 is better ( it just sounds warmer to me) but the 990 seemed louder.My recorder was a BOSS BR-1600 (8 tracks live).