Downside Studio said:
I think the ECM8000 partly goes into the dog.
Listen DS,don't knock it until you have tried it. I have used my ECM's for stereo-micing/room acoustical p-up's and effect -enhancement and it performs admirably. Mind you I also own a
small impressive array of mics from dynamic,cardiod,large and small condensers etc and the ambience capturing of the ECM's w/o coloration and tonal distortion. Ray Hanlin,FOH mixologist
used them recently in capturing famed Jazz guitarist,Eric Gale,
smooth tone and firey technique at a Pier 11 concert.
So unless you have used them(and don't come up with some lame excuse such as "Well,I hate all Behringer products" or
"I have upgraded all my gear to Neumanns and Neve's so I'm too
good for THESE mics") Please keep your mic-dog comments to your self!
If you have used them and don't like 'em because the they are not capturing your sonic idea,then I understand. But please
save your ECM bashing for some-1 else who doesn't know better!
If FOH-man Ray Hanlin uses them;If Harvey Gerst recommends them; If famed R&B/Rap studio in NYC Apple Studios uses 'em
then they can;t be that bad!
If you need to bash mics,bash RADIO WHACK mics!
I should know, I own 1 of them buggers!
Peace
Mr.Q