SpotlightKid83
New member
What would be the difference between a matching pair of condenser mics and a non matching pair? why can't I use a non matching pair to record OH drums in stereo? (just any two of the same model)
The theory behind matched pairs is that if one of the pair has higher response to a particular frequency then when that note is played the instrument will seem to jump toward that mic. So you can see why it is less important for overheads. A drum, cymball, etc. is mostly going to play the same note unless you hit it very differently. So your drums are not going to be jumping all around.SpotlightKid83 said:What would be the difference between a matching pair of condenser mics and a non matching pair? why can't I use a non matching pair to record OH drums in stereo? (just any two of the same model)
That's a whole lot stickier question. It depends on the Quality Control of the manufacturer and distributor. With companies like Schoeps and DPA and even Shure, I wouldn't be too concerned in using two of the same model. But, for solo acoustic guitar (or piano recordings), I would prefer a matched pair of microphones - usually. Out of 7 MXL603's I own, 6 are close enough for matched pair work - one isn't.patlang12 said:hey harvey how important do you think it is to have matching mics for acoustic guitar? (Would it be all right if I have two of the same model, but not matched?)
Yes... just adjust the trim/gain knob.patlang12 said:If only the output is different couldn't you just adjust the volume on the individual tracks to even them out?
That's a good point.darrin_h2000 said:There is a factor of the Mic pre working harder on one channel.