Guitar Cab Impulse Files

Keiffer

New member
I have gotten into making Guitar Cab Impulse Convolution files lately. I thought I'd make them available.

Here's the link: Keiffer Guitar Impulse Files

My Impulse files are Stereo

I have several cabs and speakers that I have recorded including V30, Greaanbacks, Govenor, Man-O-War and GS1275 speakers. Cabs include V4 4x12, Cobra 4x12, Mesa 2x12 and Splawn 4x12.

You'll need a convolution reverb plugin to use them something like Voxengo's Pristine Space. I use AFImpulse.

Hopefully you'll find one or two of use.

Cheers!
kp-
 
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there's 60 separate Impulse Samples with most having four different Deconvolving Options (a,b,c,d) thus producing over 200 Impulse files.

refer to the included text file for info. here's the file FYI...

01
Amp: 5150 Loop In
Cab: V4 4x12
Speaker: v30 Top Right
Mics: i5 Straight on / 421II @ 45 deg
File: 01a_v4-4x12-v30_i5-421.wav

02
Amp: 5150 Loop In
Cab: Cobra 4x12
Speaker: Greenback Top Right
Mics: i5 Straight on / 421II @ 45 deg
File: 02a_cob-4x12_gb_i5-421.wav

03
Amp: 5150 Loop In
Cab: Mesa 2x12
Speaker: gs1275
Mics: i5 Straight on / 421II @ 45 deg
File: 03a_mes-2x12-gs1275_i5-421.wav

04
Amp: 5150 Loop In
Cab: Mesa 2x12
Speaker: v30
Mics: i5 Straight on / 421II @ 45 deg
File: 04a_mes-2x12-v30_i5-421.wav

05
Amp: Dual Rectifier Loop In
Cab: Mesa 2x12
Speaker: v30
Mics: i5 Straight on / 421II @ 45 deg
File: 05a_mes-2x12-v30_i5-421.wav

06
Amp: 5150 Loop In
Cab: V4 4x12
Speaker: v30 Top Left
Mics: 57 straight on / 421II @ 45 deg
File: 06a_v4-4x12-v30_57-421.wav

07
Amp: 5150 Loop In
Cab: V4 4x12
Speaker: v30 Top Left
Mics: 57 straight on / 421II @ 45 deg
File: 07a_v4-4x12-v30_57-421.wav

08
Amp: 5150 Loop In
Cab: V4 4x12
Speaker: v30 Top Left
Mics: 57 no xfmr straight on / 421II @ 45 deg
Same as 07 but mics moved some to the right
File: 08a_v4-4x12-v30_57nx-421.wav

09
Amp: 5150 Loop In
Cab: Cobra 4x12
Speaker: Greenback Top Left
Mics: 57 straight on / 421II @ 45 deg
File: 09a_cob-4x12-gb_57-421.wav

10
Amp: 5150 Loop In
Cab: Mesa 2x12
Speaker: v30
Mics: 57 straight on / 421II @ 45 deg
File: 10a_mes-2x12-v30_57-421.wav

11
Amp: 5150 Loop In
Cab: Mesa 2x12
Speaker: v30
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 11a_mes-2x12-v30_ 57nx-421.wav

12
Amp: 5150 Loop In
Cab: Mesa 2x12
Speaker: gs1275
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 12a_mes-2x12-gs1275_57nx-421.wav

13
Amp: 5150 Loop In
Cab: Mesa 2x12
Speaker: gs1275
Mics: 57 straight on / 421II @ 45 deg
File: 13a-mes-2x12-gs1275_57-421.wav

14
Amp: 5150 Loop In
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 14a-v4-4x12-v30_57nx-421.wav

15
Amp: 5150 Loop In
Cab: cobra 4x12
Speaker: greenback
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 15a-cob-4x12-gb_57nx-421_32.wav

16
Amp: 5150 Loop In
Cab: mesa 2x12
Speaker: gs1275
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 16a-mes-2x12-gs1275_57nx-421_32.wav

17
Amp: 5150 Loop In
Cab: mesa 2x12
Speaker: v30
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 17a-mes-2x12-v30_57nx-421.wav

18
Amp: 5150 Loop In
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 18a-mes-2x12-v30_57nx-421.wav

19 to 21 used the 5150 Rhythm Channel with varying degrees of drive
Amp: 5150
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / i5 @ 45 deg
File: 19a-v4-4x12-v30_57nx-i5.wav
File: 20a-v4-4x12-v30_57nx-i5.wav
File: 21a-v4-4x12-v30_57nx-i5.wav

22 to 24 used the 5150 Effects Return Input with varying degrees of Presence Resonance = ~7
Amp: 5150
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / i5 @ 45 deg
File: 22a-v4-4x12-v30_57nx-i5.wav
File: 23a-v4-4x12-v30_57nx-i5.wav
File: 24a-v4-4x12-v30_57nx-i5.wav

25 to 27 used the 5150 Effects Return Input with varying degrees of Resonance Presence = ~9
Amp: 5150
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / i5 @ 45 deg
File: 25a-v4-4x12-v30_57nx-i5.wav
File: 26a-v4-4x12-v30_57nx-i5.wav
File: 27a-v4-4x12-v30_57nx-i5.wav

28 to 30 used the 5150 Effects Return Input with varying degrees of Resonance Presence Resonance = ~7
Amp: 5150
Cab: Cobra 4x12 Top Left
Speaker: Greenback
Mics: 57 no xfmr straight on / i5 @ 45 deg
File: 28a-cob-4x12-gb_57nx-i5.wav
File: 29a-cob-4x12-gb_57nx-i5.wav
File: 30a-cob-4x12-gb_57nx-i5.wav

31 to 33 used the 5150 Effects Return Input with varying degrees of Resonance Presence = ~9
Amp: 5150
Cab: Cobra 4x12 Top Left
Speaker: Greenback
Mics: 57 no xfmr straight on / i5 @ 45 deg
File: 31a-cob-4x12-gb_57nx-i5.wav
File: 32a-cob-4x12-gb_57nx-i5.wav
File: 33a-cob-4x12-gb_57nx-i5.wav

34 using 24a-v4-4x12-v30_57nx-i5.wav filtered with CurveEQ using Impulse 24d against Unearth's Sanctity of Brother
Amp: 5150
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / i5 @ 45 deg
File: 34a-v4-4x12-v30_57nx-i5.wav

35 using 24a-v4-4x12-v30_57nx-i5.wav filtered with CurveEQ using Impulse 24a against Unearth's Sanctity of Brother
Amp: 5150
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / i5 @ 45 deg
File: 35a-v4-4x12-v30_57nx-i5.wav

36
Amp: 5150 Loop In
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 36a-mes-2x12-v30_57nx-421.wav

37
Amp: Cobra Effects Return Deep @ 12:00
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 37a-mes-2x12-v30_57nx-421.wav

38
Amp: Cobra Effects Return Deep @ 3:00
Cab: v4 4x12
Speaker: v30
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 38a-mes-2x12-v30_57nx-421.wav

39-43
Amp: Cobra Effects Return Deep @ 3:00 (Mike's Cab)
Cab: Splawn 4x12
Speaker: Govenor (Top Left)
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 39a-spln-4x12-gvnr_57nx-i5_32.wav
File: 40a-spln-4x12-gvnr_57nx-i5_32.wav
File: 41a-spln-4x12-gvnr_57nx-i5_32.wav
File: 42a-spln-4x12-gvnr_57nx-i5_32.wav
File: 43a-spln-4x12-gvnr_57nx-i5_32.wav

44-48
Amp: Cobra Effects Return Deep @ 3:00 (Mike's Cab)
Cab: Splawn 4x12
Speaker: Manowar (Top Right)
Mics: 57 no xfmr straight on / 421II @ 45 deg
File: 44a-spln-4x12-gvnr_57nx-i5_32.wav
File: 45a-spln-4x12-gvnr_57nx-i5_32.wav
File: 46a-spln-4x12-gvnr_57nx-i5_32.wav
File: 47a-spln-4x12-gvnr_57nx-i5_32.wav
File: 48a-spln-4x12-gvnr_57nx-i5_32.wav

49-52
Amp: 5150 Effects Return Resonance: 7 Presence: 9
Cab: Cobra 4x12
Speaker: Greenback (Top Right)
Mics: 57 with 680 ohm load cable straight on / 57 no xfmr @ ~15 deg
File: 49a-cob-4x12-gb_57-57nx
File: 50a-cob-4x12-gb_57-57nx
File: 51a-cob-4x12-gb_57-57nx
File: 52a-cob-4x12-gb_57-57nx

53-56
Amp: 5150 Effects Return Resonance: 7 Presence: 9
Cab: V4 4x12
Speaker: V30 (Top Right)
Mics: 57 with 680 ohm load cable straight on / 57 no xfmr @ ~15 deg
File: 53a-cob-4x12-gb_57-57nx
File: 54a-cob-4x12-gb_57-57nx
File: 55a-cob-4x12-gb_57-57nx
File: 56a-cob-4x12-gb_57-57nx

57-60
Amp: 5150 Effects Return Resonance: 7 Presence: 9
Cab: Cobra 4x12
Speaker: gs1275
Mics: 57 with 680 ohm load cable straight on / 57 no xfmr @ ~15 deg
File: 57a-cob-4x12-gb_57-57nx
File: 58a-cob-4x12-gb_57-57nx
File: 59a-cob-4x12-gb_57-57nx
File: 60a-cob-4x12-gb_57-57nx
 
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Thanks! Always on the lookout for impulse files.

You should donate them over to the main impulse file bank over at noisevault.com too.....
 
awesome stuff man. props to you for putting in the time and effort.



how exactly do you create these files? i'm familiar with convolution reverbs and how they use impulses, but never quite understood (or been bothered!) to read up on how an impulse is created.

wanna share some light?
 
I use a program by Vogengo call Deconvolver. Deconvolver outputs a sine wave ramp that you send to an amp that's driving the mic'd cab. I send this signal to the power section of one of my amps, bypassing the preamp section. The Sine wave ramp is recorded by your mic of choice. Using the recorded sine wave (trim leading and trailing excess by hand), I now use Deconvolver to create the file that is loaded into a convolution reverb plugin.
 
these files can be used as substitutes for a mic'd cab for a recorded signal that would have been sent to the cab. You can take a line out, or some other signal say a GT2 output or POD out (cab emulation off) and use these files to alter the tone similar to a guitar-mic setup.
 
Cool stuff. I'll have to grab a few and try them. I have a couple from noisevault already. Thanks for the effort. ;)
 
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