no_monkeybiznus
New member
uhh, that last pic sure does'nt look like it. Mics seem way far from each other.
no_monkeybiznus said:uhh, that last pic sure does'nt look like it. Mics seem way far from each other.
btr31 said:im sure this may have been answered. but....since you take the sticks to the drummers shoulder...is the left oH gonna be higher than the right?
Tukkis said:Hey TubeDude
Do you think you could post a picture or drawing?
And if you could even post a smaple mp3 of this technique?
Thanks
Tukkis
Sonixx said:Check this out...
Very soon, I will post clips of this technique using pairs of these mics:
e22S
mk012
C1
NTK
Yes, Generally point the shoulder mic at the snare (same location as the snare overhead mic). It does not have to be... experiment. The basic idea is to place the snare and kick in the center of the kit image.Wireneck said:Where should the capsule of the right side mic be pointing? Is it also aimed at the snare? How well does it represent the right side of the kit (ride, china, etc...).
Yes. The Overheads (snare and Shoulder mics) are panned hard left and rightWhen trying to center the kick in the stereo image your monitoring with the mics already split hard left and right? Is this correct.
This technique does a great job at balancing the cymbals against the drums. Also, increasing the mics distance pulls in a lot more room.I always close mic everything and I don't intend on using just 3 mics. How well does this technique represent the cymbals? Basically I could get away with using the overheads for nothing but cymbals but I would like to have a fast setup method like this.