sdRead more on Audiofanzine
I bought it last year and use it for small events.
Its main strength is, without a doubt, its ease of use, its almost plug'n'play!
It has two XLR inputs, two 1/4" jack/XLR inputs (including one with a Hi-Z button) and two Line Inputs, one on RCA and the other one on minijack. You could connect a whole band, except for the drummer. Apart from that, it has yet another (stereo) monitoring output and inputs for the footswitches (not included) and a digital reverb
The sound, be it a low or high volumes, is very good and precise. The EQ is very "extreme," you need to be subtle, like with the reverb (it's easy to get carried away). I like the EQ Master a lot, which allows you to either boost the low end to listen to music or reduce it to hear better the vocals.
I haven't found any negative aspects right now. You certainly shouldn't expect to be able to do large concert halls, but it is more than enough for a bar or a small stage.
When you get a Yamaha you know you're getting good quality. Be it for speech or for a music group, I think it's a great value for money. It remains to be seen how long the mixer will last.Read more on Audiofanzine
The Palmer DACCAPO is a robustly built passive re-amping box that converts line level, low impedance signals to High-Z, or high impedance signals for use with guitar amplifiers and stomp-box effects. It is entirely passive, therefore does not require any phantom power or external power source. Despite it's simplicity, it does exactly what is says it does with great aplomb.
For guitar recording enthusiasts who like to have more flexibility later on in the mix, re-amping is incredibly advantageous. In my case, I record both my live amp sound and DI signal of the same performance to two separate tracks. I split the signal right from the guitar using a DBX DB12 active DI box. Having the dry performance straight from the guitar archived in my recording session makes it much easier to edit sections, adjust timing and re-amp later for changes in guitar tone and effects.
For example, let's say in your original performance you had a used a phaser on an electric guitar solo. Upon playback, you decide you want to edit out a few sections. Due to the complicated waveform of the full recording and the inconsistent timing of the phaser modulations, this would be almost be impossible. However, the dry signal will have a much more simplified waveform with no modulation, making it easy to pick out singular notes and to modify the performance. Then you can simply send the edited dry signal out of your soundcard to the Palmer DACCAPO and then back through your effects chain and amplifier. You can also loop a section of your performance and with your freed hands you can adjust pedal effects on the fly, which is perfect for dialing in timing for delay and tremolo effects.
The ability to free up your playing hands and to reamp your original performance, opens up many creative possibilities with guitar pedals. If you scour YouTube for some videos of renowned mixing and recording engineer Eddie Kramer, you're bound to find some clips of him doing this very technique! By re-amping archived, dry performances, you can use your hands to improvise with a wah pedal or with feedback-induced delay swells. Additionally, the re-amp box opens up your arsenal of stomp-box effects to any sound in your mixing session, meaning you can re-amp synths, vocals and all other sounds sources.
While the sky is the limit in terms of the creative possibilities afforded by re-amping, I'll put up a simple test of a clean guitar:
Dry DI sound using DBX DB12 Active DI Box: http://en.audiofanzine.com/pa-live-sound-accessory/palmer/Reamping-Box/medias/audio/a.play,m.473659.html
Original performance (Guitar Cab mic'd with SM57): http://en.audiofanzine.com/pa-live-sound-accessory/palmer/Reamping-Box/medias/audio/a.play,m.473660.html
Re-amped performance (Identical settings to above): http://en.audiofanzine.com/pa-live-sound-accessory/palmer/Reamping-Box/medias/audio/a.play,m.473661.html
To further demonstrate the effectiveness of the Palmer DACCAPO, you can refer to the attached image comparing the waveforms.
Ultimately, I would recommend the DACCAPO to anyone looking for an inexpensive utility tool that can greatly open up their creative horizons outside of the box. As the reamping box opens up the whole mix for use with the pedals, this will be especially appealing to guitarists, who have invested heavily in pedal effects but are lacking in rack units and plug-ins, .
+inexpensive gateway to infinite creative abilities outside of the box
+effective and accurate recreation of the original performance
-Only an XLR input, which will require most home studio users to get a unique jack to XLR Output cable for use with their soundcard outputs.
-For the more serious reamping enthusiast, one should also consider an active reamping box, like those made by Radial. Read more on Audiofanzine
IT KICKS ASS!!!!!
HEAVY TO TRANSPORT, EVEN DISASSEMBLEDRead more on Audiofanzine
I bought the stagepas for a very specific application: To reinforce a small acoustic combo (piano - guitar - vocals). The stagepas 400i is perfect for this application! The vocals are rendered very well, the piano and the guitar are reproduced with a good precision across all frequencies, and the effects (reverb, etc.) are really nice.
What I like the most about this product is the hyper-warm Yamaha sound. No instrument is distorted, the vocals sound really good.
Careful: It's obvious that this small PA system won't be enough for an entire electric band. Electric guitars don't work (maybe with a POD, an even then...) and some frequencies overlap.
To cut it short, an excellent portable PA system for setups like ours or as a monitor speaker for piano and vocals (bear in mind the limited power of the 400i). If you want to do bigger concert halls and electric sets you'd better get something more powerful.Read more on Audiofanzine
by lou Pezza
Anyone with a RCF 725A powered speakers from 2009-2012 should get their amp units checked.
I now have two failed units out of warranty and £900.00 paid on new amps by the UK main dealer.
The problem is over time long solder tails have pierced the 1mm membrane protection to the outer casing and the units blow... Newer models (my new ones!) have shortened tails and a thicker lattice membrane....
Clearly a manufacturing issue as also had them both independently verified by another repair center...
Unhappy customer.....Read more on Audiofanzine
I could borrow this Shure GLXD24/SM86 (condenser, about US$ 650.-) along with a Sennheiser XSw 35 (dynamic, about US$450) for about a week and check them out.
I thought it was going to be hard to decide between the two, but I was wrong. This wireless SM86 just blew my mind.
The sound is just incredible. You get the definition of a good live condensor microphone (I personnally like and use the EV Cardinal).
I tought that in a loud environment, the dynamic XSw might do just as well, but I was wrong. When rehearsing with our fusion band (www.soundcloud.com/soark), everyone found that at similar volumes, my voice could be heard clearly with the Shure, but not so much with the Sennheiser.
The Shure makes me feel comfortable, because I know I can sing into it high or low, soft or yell all I've got and it will sound wonderful.
This may be subjective, but singing the same loud song felt tiring with the Sennheiser and relaxing with the Shure. Wow...
To my surprise, in our 3x4m rehearsal room, monitors cranked way up, the Shure didn't seem to generate more feedback problems than the Sennheiser.
The digital wireless works great. There is no fuzz at all and I had to go outside the building (10m, one brick and one concrete walls in between) to get the sound to break down.
You can't change the antennas on the receiver, but I doubt my wireless needs will surpass the original ones in the next few years.
My only uncertainty: I wonder how solid the link is gonna be on stages with many 2.4Ghz devices around.
The battery system is very cool. You get many hours out of it before the light turns red and when that happens, you can still go on for at least an hour (haven't tried to go further).
To charge the battery, you can pop it right into the receiver unit, or you can even plug the mic directly into a USB port to charge the battery (micro USB).
The mic and receiver are made of plastic, which is light and looks solid enough for my needs.Read more on Audiofanzine
On paper, 400 watts into 4 ohms! It's obviously "dynamic." An exotic output power. In fact, it's rated at 125 watts before clipping (with 1% THD, 1khz @ 1W) per channel into the same impedance (percentage of the 3rd harmonic with respect to the root note). Nominal, it's no more than 37 watts! The power divided by 5, two times 40 watts RMS!!! In practice, you will never have more than 50 watts per channel. Enough for a musician to do a small hall, especially if you connect all your instruments to the small mixer.
The mic inputs are very faithful for vocals, especially with dynamic mics. As a PA system with around 100 people in the audience (applying a 1 watt/1meter per person rule), it's a reasonable choice that won't hurt your budget. The Stagepass 400I is rated at 125 db SPL, but in the manual there's not a single word about the speakers, which is 8" big and seems quite stiff, so you will need to break it in to get the best of it. The Bass Reflex speakers almost don't vibrate at all and have a good diffraction.
The StagePas 400I is IPOD and IPhone compatible, according to the manual. But not only. First generation IPADs are also welcome. And even more so the later versions. The Stagepass 400I plays the audio and recharges the iPAD! MP3s obviously. A good EQ is needed for pre-mixing. A limiter and an EQ per band will do the job. To get better results you can use an external CD player. You should preferably listen to the mix using the monitor's mono output to avoid phase shifts. A drawback is that it has no stereo headphone connector for the controls. The simple addition of a powered sub of at least 120 watts RMS will give this system the power it lacks in the bottom end.
In conclusion, the Yamaha StagePas 400I is not exceptional on paper, in terms of power characteristics, for a low-end PA system. On the other hand, its overall quality is all right. And its durability is a bonus.Read more on Audiofanzine
I have been using various speakers for band and we have tried other brands and set ups including the Bose systems and what we have landed with is the QSC K10's they can handle the full spectrum of sound from bass, synth, drums, backing tracks, and Guitars and sound amazing. We use the PreSonus Studio Live 16.0.2 Mixer and we just sound great. The QSC K10's really made a huge difference in the way we sound and play. They sound clear, detailed no muddiness and the fans love the way we sound. The ease of the use is great too and can be used for a solo gig with a iPod hooked up to play backing tracks. Great speaker and for our use just the best we can play louder with out feedback and the clarity of tone is just something you have to experience to understand. We got a great deal from www.hsprosound.com The regular price was $749 and we got them for $699 each. The guys at www.hsprosound.com are real pros. Thanks HS and QSC.Read more on Audiofanzine
As a live sound engineer and occasional performer, I thought it might compliment my extensive collection of P.A speakers in many brands. I decided on the L2"M"s as I do not need the built-in mixer and thought the more bells, the more opportunity for problems. Results: I take them to every gig whether it is for a fill in festival sound (with subs and satellite speakers) or a small casual stand alone. The sound is perfect for guitar, vocals, brass, strings, anything that has a mid to high range eq.
I found that it is not adequate for lows, and if you are adding bass, low eq keys, low brass, kick, you should use a sub or a speaker with a 15"; and a good alternative is the latest JBL eons (own as well). I compared line 6 sound to similar powered Yamaha, Mackie, EV, JBL, QSC and found that the clarity of the sound in the mid range & highs was exactly what I was looking for. I also liked the EV and JBLs, but the Line 6 won out due to my application.
I think at $750 the price is a little high, and some people might really want to consider the JBLs as they cost a lot less, equal in weight, and sound great at the lows. For about $100 more, consider the 12" QSC Ks (although I have not been blown away from them as other reviewers).
Finally: I have really (purposely) pushed these speakers beyond normal and they perform without distortion or feedback. For guitar/keys/violin/and especially vocals, you will receive an increase of compliments for your sound. These speakers have paid for themselves just in the repeat business I have received for running sound alone. They have proven to be the perfect choice for me, and was pleasantly surprised at the "long-throw" especially at outdoor events. You can cover more space at low volume as the sound does not drop off when elevated on stands... (not a rule but, I like the bottom of speakers to be at 66" high when used as Mains).
I would highly recommend these or "T" model $850 for the soloists over the Bose (I like the Bose L model IIs, but $2400?) ...larger coverage with no sound drop, almost equal feedback, easy use, use anywhere.
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There's always a but... in this case it's the sound the amp's cooling fans make! It's useless in "quiet" environments, which is a pity (it seems to be a chronic issue with all stagepasses).
It's OK for bars.
It has the typical Yamaha sound: The mids are very present and detailed. I'm used to it but it's very particular.
It's not the best for dub or electronic music with deep lows.
Diverse connection options, even for iThings via USB...nice.
No pan...which is strange (and a pity, in my view)
Power: OK for small bars, I haven't tried it in bigger stages.
The system is easily transportable.Read more on Audiofanzine
by Renaldo Mystic
Hi my name is Renaldo Mystic,
I am in the market to purchase a pair of JBL MP-418SP. Please contact me at (718) 537-0075 or email@example.com or firstname.lastname@example.org. Read more on Audiofanzine
Great ampRead more on Audiofanzine
I bought it in 1999 (yes, last century) for small venues.
It was my first powered mixer and I still have it (in 2013): That says a lot about its longevity and sturdiness.
I still rent it from time to time together with a couple of speakers and it does its job pretty well: Amplify previously recorded music or sources coming from one or several mics.
It is practical, without any irrelevant features, although it has lots of useful tools: Phantom power, 6 XLR channels, including two thar are also line + stereo, small 7-band EQ on the master but also for the second channel if you use it as return, small basic reverb (hall/plate/room), which is more than enough and, especially, easy enough for newbies to understand with a brief explanation.
The pros: Reliability, ease of use, and decent sound quality
The cons (being picky): A bit heavy, jack headphone out
I wouldn't hesitate to buy it or its bigger sibling, the 860!!!Read more on Audiofanzine
The JBL PRX612M is a 1000 watt active speaker with a 12 inch speaker in it. It only weighs around 35 pounds and is made for the road. Out of all of the times that I have moved this speaker around so far, I have noticed that it doesn’t scratch easy and it is very easy to lift with the handles. It is only around 2 feet tall and can be mounted on a pole. If you want to use it as a floor monitor that can be done as well because it does not slide at all, on the bottom of it are rubber feet to keep it in place (unless it gets knocked forward or backward it will not move).
The compression driver in this speaker is 1.5” and it is very powerful. The sound that you will get with this speaker will handle all of your mid sized venues. There is also a input section on it with selectable EQ options.
The sound is very clean and big; it can handle all sorts of music as well as live bands, instruments and speeches. I have also used it with a few different amps but really didn’t notice much of a difference in sound/power while using them. Even with smaller and cheaper amps this speaker still sounded pretty good and powerful enough to work with the current set up that we had.
The frequency range is 50 Hz to 19.5 kHz, and by looking at the specs it will seem like it cannot handle a lot of the very low frequencies but it really can. I did notice that the low frequencies sounded better while the speaker was mounted on a pole (maybe because it was at ear level). This speaker is very affordable and with it being a JBL it is a must have!
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The QSC KLA 12 cost over 2500 dollars and is worth every single penny of that price! It is a 1,000 watt active speaker with a 1.75 inch high frequency driver and a 12 inch low frequency driver. It has adjustable frequency optimization features and a very good sound. It has a 12 to 1 ratio factor that will allow you to have up to 5 separate units. I have only had the chance to personally work with it 4 times now but each time that I do I love it. I would purchase it myself If I had the need for it.
There is a tilt direct mount on it that makes it easy to get it in the perfect position for any room or set up. With the 500 watt by 500 watt power module, the sound you will hear with this speaker will be big and warm. The highs are clean and the mids sound just like they should. The lows are very clean and full, the frequency range is 44 Hz to 20 kHz. This bi amped speaker is powered and it has 1 XLR input and 1 XLR output.
Moving this speaker from place to place doesn’t seem like it would be too difficult though I have not had to move it myself before though. It only weighs 55 pounds and stands about 15 inches tall, and 23 inches wide. These boxes sound great and if your budget can afford to get them I highly suggest doing so, you will not be disappointed. The space that I heard this speaker in was big enough to seat between 300 and 450 people. The sound was huge and had very good stereo imaging giving a wide and big feel to it. I heard live music coming through this speaker a few times and I can say that anyone could use a speaker like this in their live rig. Question is can they afford it, because quality like this doesn’t come cheap.
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The QSC KW 152 is a 1000 watt speaker that has a 15 inch low frequency driver and a 1.75 inch high freq driver. This speaker was a lot heavier than I expected it to be, it weighs around 65 – 70 pounds. It has 2 XLR outputs and 1 XLR combo input and 2 RCA inputs. It can be mounted on a pole/fly. This speaker is a good frequency range (44 Hz to 20 kHz) but sometimes it is hard to tell just how broad it is. When playing a lot of bass heavy music, it seems like the low end frequencies kind of got pushed to the side because they do not stick out the way that I think they should with the specs that this speaker has. The highs and mids sounded great though, and even the bass sounded great on some music, the music that has low frequency baselines. But the kick would still sound pretty good no matter what music it was; it was those baselines that didn't fulfill my needs.
This speaker has a very rugged construction and will bring about no issues when traveling with it or getting it in and out of the van. It has a class d power module and handles that make it easy to carry even though it weighed more than I thought it should weigh because I have used Peavey speakers that have the same specs but weigh about 5 to 10 pounds lighter. The QSC KW 152 does have a well balanced sound but for this price (1200 USD) I think any user can get a lot more going with a different similar speaker. You can get the 1000 watts and virtually the same drivers in another speaker for about 150 dollars less than the QSC KW 152 cost so for that reason I do not recommend purchasing this speaker.
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The Line 6 Stage Source L3T is a 1400 watt PA speaker (3 way), it has 2 ten inch low frequency drivers and a 1 inch high frequency driver. Like the L2T it supports the “smart speaker modes” and digital networking. This is basically the more powerful version of the L2t, the sounds are very similar as far as quality but the overall sound on this L3T is so much more powerful and big. This speaker can handle being in a bigger space and even outdoors (in some conditions).
The L3T can be pole mounted, or used as a floor wedge. It does weigh almost 60 pounds making it plenty heavier than the L2t. Obviously this one cost more than the L2t but I do recommend getting this speaker over the L2t because the price differences are not that much. Also the frequency range on this speaker is much better being 40 Hz to 19 kHz with a crossover frequency of LF1 at 250 Hz, and LF2 at 2.2 kHz to 7 kHz. This powered monitor has a big enough sound to handle almost any venue that you put it in. I have used a set up before that had a few of these together and it sounded very big. It was actually one of the best systems that I have heard in a long time and we were in an auditorium that held about 800 people but it was still a big space with high ceilings and these still sounded amazing.
Like the L2t this monitor has the intelligent system or smart speaker modes. You can use this speaker as a speaker for a live band, or as a PA speaker for someone giving a speech. It sounds great either way and I really enjoy working with these monitors. They work together well and complement each other good too.
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I have been anticipating the day that I get a chance to work with the L2t from Line 6 StageSource because since it came out I have heard nothing but great things about it. At first I didn’t think the price should have been so high with it only being 800 watts. It is a 2 way powered PA speaker, a feature that is very good one this monitor is the speaker modes (smart speaker modes). There is also a digital mixer on it as well.
The smart speaker modes has 6 different speaker modes in it and each one of those modes has EQ features/presets like electric guitar, keyboard backline, floor monitor and personal PA (there are also some more of them). It is very easy to use these modes and have everything ready to go right at your finger tips because all you have to do is activate the switch and you are good to go.
This monitor can be pole mounted, but I used it as a floor monitor and even used it as a PA speaker once so far. I do love the way that it sounds with instruments as well. I have heard many live brass instruments through the L2t so far and I can say it sounds amazing.
There is also a L6 link digital networking system in this monitor that will create a network of speakers that will automatically configure with no effort. This is not a feature that we had to have but it is a nice plus. If you have a lot of Line 6 Stage gear/systems this is a great feature to have though because it makes everything very easily synced and ready to go with no worrying or configuring on the users part. This speaker is a little bigger than what I expected too, it is not huge but it has some size and weight to it.
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The Peavey PV 15M is a 15 inch floor monitor that delivers a solid sound. I was using this monitor back around 2008 a lot. I feel like this monitor sounds great for the price range that it is in. I do usually prefer JBL monitors though but most of them can really start to get expensive. The PV15M has a 90 by 40 CD Horn and a 14XT compression driver.
The total weight of this monitor is not more than 40 pounds making it easy to take around and set it up. It is about 25 inches wide and only 16 inches tall. It has a 1000 watt peak power capacity, and it is very tough and rugged. Out of all of the times that I used this monitor I do not remember it not sounding good at all. Every time I used it, it sounded great and delivered without any problems.
It is very easy to daisy chain these monitors together too if needed. There are ¼ inputs (parallel) on the monitor to daisy chain with and I have done this many times and it sounded great. This speaker is not for bigger venues though. That is something to take into consideration before purchasing because if you use it in a bigger space it may not be able to handle it. I have only used it in a space that was pretty big 1 time and it didn’t sound bad but I could tell that it just didn’t have enough power to really project the sound the way it needed to be heard to the audience. The frequency range is 68 Hz to 17 kHz.
This monitor is built very well; it has a steel handle and a metal grille to protect the face/speakers on it. It will be able to handle some drops or any of the accidental things that can happen to the gigging musician.
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Yamaha EMX 212S is a 12 channel powered mixer that is made for the road. The construction of this mixer is heavy duty and will last a long time. There are 16 digital SPX effects on it, echo, chorus, flanger, distortion, reverb, and a few other ones are on it. All of these effects can be added very quickly at the touch of a button. There are EQ’s on the main and monitor channels so you can get the exact sound you want or get out that feedback quickly.
There are 12 input channels and 4 for microphone with phantom power. This whole mixer only weighs 22 pounds and is made for use every day. It have used this mixer as well as seen this mixer used for hour upon hours and it has never over heated or shorted out. I have seen it dropped and just about thrown and it has never stopped working. I am pretty sure as long as it doesn’t get wet it will work forever. If it doesn’t Yamaha stands by their products and I am sure they will not have a problem working with you to solve the problem especially with most of their products coming with a warranty automatically.
The only thing that I didn’t like about this mixer is the amps and the humming that I would hear. I would not hear this all of the time just sometimes mainly after the mixer and speakers would be on for a long period of time. This could have been the speakers, cords, or any number of issues but it just seemed like the amps in this mixer would start to make the unit “hum” after a while. This didn’t happen often just sometimes and it really was not that big of an issue unless everything was completely silent. Overall, this is a perfect mixer for the road and it is affordable for any budget.
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The QSC KW181 has an amazing sound that blew me away. We have purchase two of these now and have been using it them since November of 2012. They are powered with a driver size of 18 inches. The frequency range is really low and at high volumes the sound is full and rich with no distortion at all.
They are also very portable because of the deep built in handles on the size that are made out of solid materials. Being that I run sound shows for many different bands and my own shows it is great to have reliable subs that can handle anything, and in any environment. We did have an accident with these; we dropped one of them one time when taking it through a back do to a stage. But it did nothing to the actual speaker itself accept a little scrap/scratch on the bottom left corner of the woofer which we could almost wipe off. But it did nothing at all to the quality of the sub or the sound.
The height of this sub is only about 20 inches and 24 inches wide. It weighs about 90 pounds but does not feel like it weighs more than 80 due to the size and handles. There is no crossover on it but it does have a frequency range of 40 hz to 112 hz. At 1000 watts you will have all of the low end sound you need for your whole show or set up. I recommend getting more than one if you need to and not mix and match it with another woofer because you will be able to tell the difference. This woofer is very deep and clean; if you pair it with another woofer that is not the same one you will be able to tell when you listen from the audience point of few. These are a must have, they are well built and have a great sound/range.!
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If you are looking for powerful bass, this is the sub you need to get. I have always been a huge fan of all Bose products so it was not an issue for me to spend the money on this one. If you have the Bose L1 model system or even the Model II system then this is the sub you need to go with those set ups.
This sub looks great and sounds even better. If you need to get more low end out of it you can easily switch it to the + position and make your bass even deeper for your drums which is mainly what we used it for. You can leave it in the – position for normal modes. This is one of the most powerful subs that Bose has come out with and definitely is for the Model II and L 1 systems.
You will get very low frequencies and deep hard hitting bass with this woofer and it is all packed into a woofer that only weighs 45 pounds. This is what Bose does; they make the best possible products using the best possible materials! You will pay for it though because it is not cheap, and nothing from Bose is ever cheap. I have used Bose products for over 15 years and everything they make is very good and has never given me any issues. If you buy from them the customer support is absolutely free and cost you nothing. Someone will be able to assist you on the phone without a problem. I also recommend purchasing directly from them for the best possible customer service, because if any issues arise the place where you purchased it form will most likely tell you to call Bose anyways so you mine as well save your self some time and purchase directly from them and that way you can even get a warranty plan (which I recommend when spending this kind of money).
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The DSR118W from Yamaha is an 800 watt powered PA sub that has an 18 inch driver. This sub is very portable and easy to carry due to the heavy duty built in handles on the side of the sub. When you purchase this sub you will get an automatic 5 year warranty just in case something with it happens.
This sub has 48 bit sound processing and an amazing sound with very low end frequencies. Out of all of the times that I have used this subwoofer in the last year I have not had a single issue or complaint with it. The DSR series from Yamaha is one of the best lines they have come out with because of the people that are behind this line of subs. The engineers really went to work on the DSR line and made a high quality efficient sub that is great for DJ’s and gigging musicians. They do make the DSR subs in different sizes for different sized venues so it will depend on exactly what you need It for to know if you purchase the 118W or another one. But this one has a very clean sound even when turned up to max volumes in larger spaces. This subwoofer is on the heavier size though weighing almost 100 pounds but it is still pretty easy to carry due to the handles and overall shape of the subwoofer. There are 2 XLR inputs and 2 XLR outputs on it with a frequency range of 50 hz to 110 hz. It is only about 20 inches tall and about 2 feet wide making it simple to get into a car with a good sized back seat or trunk space. It also has a crossover frequency of 120 hz. I highly recommend this woofer because of not only the quality and sound but the warranty that comes with it. You do not find many speakers or subs that come with a 5 year warranty!
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The Yamaha DXS15 is a 15 inch 600 watt active sub with a clean sounding low end bass at moderate volumes. If you start to really crank it up you will start to notice a little amount of distortion. It does have a high power class D amplifier and it is simple to add this to your bands set up. I say this is good for a band because if you are a DJ you would not want to rely on the inconsistencies with the low end distortion problems when you are cranking up your music for the club. This is the perfect sub for like a band or a drummer because it is clean and responds well to instruments.
The price is very affordable but I still feel like with its ability to deliver deep bass and with all of the power that it has; it should be able to be turned up to high volumes without getting distorted but that was not the case for me. I have recently used this twice at a club that already had it as the main sub. It did not need to bring my own sub in because they already had this set up. I do wish I would have brought my own though because I do not feel like this sub made my sound the best it could possibly be.
The frequency range is 45 hz to 160 kHz which is pretty standard for smaller and mid-sized clubs/venues. This club was a mid-sized club that probably only had 350 people in it at that most and when I cranked it up I could definitely hear some distortion in the bass. The bass was very low and deep, it actually sounded great until I went to a very high volume once the dance floor was packed and the energy in the room started to change. Maybe I tried to overdue it too much because I was feeding off of the energy of the room or maybe this sub just cannot handle high volumes. Either way I was not happy and will not be purchasing this sub. I have other subs of my own that cost less and give a clean sound at high volumes all of the time. I am not sure what was going on with the DXS15 from Yamaha.
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The Yamaha DXS12 is a 600 watt active subwoofer with a clean sound even at high volumes in mid-sized clubs and venues. I have worked with this sub on about 15 different occasions and the thing about it that fascinates me is that for this price you do not expect to get a woofer that you crank up the volume and still get a very low bass with no distortion at all. This sub provides very deep bass and I recommend it to all DJ’s that play house and dance music mainly because it sounds great with those bass types. It is even great for school systems and church systems as just the main sub. The low end sound is very full, deep and rich.
When it comes to getting a quality sub like this one you will need to take into consideration what style of music or what exactly will it be used for most of the time. The DXS12 is good for just about anything though, that is why you cannot go wrong with purchasing it. It even has a built in XSub which will let you extend the frequency to an even lower response if you want to.
This sub is very portable and only weighs around 70 pounds at the most. It has 2 XLR inputs and 2 XLR outputs with wood enclosure and no mounting, it will be need to be a floor sub which for this style of sub is just fine. It delivers a peak power of 950 watts with around 600 watts continuous. You cannot daisy chain these together so if you are looking to add more in the future you might want to pick a different sub to purchase. This sub is not very big and can fit in a regular sized car without any problems. It is perfect for the mobile working DJ!
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The Yamaha SW118V is a 18 inch Passive Subwoofer, and a lot of the time when I am doing a smaller show as a DJ I will just take this. This was my “Go To” sub for smaller birthday parties and banquets manly because it was very light and easy to take with me. I would not take this to a larger space because it just does have enough power for those venues. This sub is also very affordable only costing a few hundred dollars and it will hold up well because it is durable.
This was one of my favorite subs to take for birthday parties because you want to play uplifting music like dance music. For that style of music with the kind of bass that it uses, this subwoofer was perfect for that. This cabinet is perfectly design to give you the best possible sounding bass (for the price) and all in a smaller sized cabinet that is easy to take with you anywhere. It has an 18 inch cast frame driver and a frequency response as low as 30 Hz (not the best, but it is great for the price).
This sub has no outputs but it has 2 ¼ inputs and cannot be mounted, it is a floor sub only but that is ok because if you are in a smaller space it will not matter anyways. The maximum power you will get with it is somewhere around 1200 watts which is pretty solid for the price. Out of all of the times that I have used this subwoofer it has yet to fail me or have any type of a malfunction. It is very reliable and built well. Yamaha has always provided this type of subs that work great for a good price. I prefer these subs from Yamaha over the higher end ones because of the quality and price. The higher end Yamaha subs start to get really expensive!
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The EON518S delivers great sounding bass out of its Class D power amp. It has a switchable high pass filter and 500 watts of power. This subwoofer is very portable and it really is not that big at all. The EON series of speakers from JBL are very reliable but they are not my favorite ones that they have come out with mainly because at high volumes they do not sound as good. But these are the more affordable subs from JBL so you will not get the best sound that you would on the higher end ones.
This sub can be pole mounted or used as a main on the floor. It has plenty of headroom and sounds great in a smaller sized space. On music with a lot of lower tones and pulsating bass it will sound great.
I have been using this sub for over a year now and I love using it for smaller spaces because it is a lot easier to transport than my main woofers. That was the main reason that I purchased this in the first place. I did not want to take my main woofers out all of the time just for smaller venues and smaller spaces. I can easily get this in and out of my truck with my other speakers and get it inside the club. This is the perfect woofer for a gigging musician who does not have a crew with him to help with gear. You will be able to take this woofer with you wherever you need to be at and do it all yourself without having to worry about lugging around a lot of weight.
If you want more power you can easily daisy chain these together, so that later one if you grow you will not have to repurchase another woofer. This is a must have for a solo gigging musician with limited space and help!
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The JBL JRX 118S is a passive subwoofer that has a clean sound in almost any room size. I would crank this subwoofer up in many different spaces and would get zero distortion or muddy sounding bass. This is the subwoofer line from JBL that originally made me fall in love with their subs in the first place, the JRX line of subs was a way to get a great sounding bass without having to spend a ton of money on a subwoofer. That was back in companies like Mackie where overcharging for quality subwoofers and it was hard to find one that was good without breaking your whole budget on one.
These subs are built to take a beating; I still own mine and though I do not use it anymore I will never get rid of it because it symbolized how hard I use to have to work. I would take this sub with me everywhere when I was first starting out as a DJ and stage manager for other bands that needed me.
The sound of this sub is very clean, the low tones are full and rich and when you use it with some good speakers it will just complete the sound and work for any style of music. This woofer has never given a single issue. After using it for all of those years, it never had a single problem and that is generally what you get with JBL. You will get a good quality piece of gear from them all of the time. This JRX118S is the reason that I have purchased so many other woofers from JBL. You can get 1400 watts of peak power out of this woofer and 350 at continuous use. I am very happy that I purchased this woofer years ago, and I am even happier that I didn’t get rid of it and still own it!
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The JBL PRX618S is an active 18 inch sub that only has 600 watts. The frequency response is 41 Hz to 130 Hz but it does not sound like the range is that low. Most of your really low bass tones will not be heard in this woofer. I personally just think it is because there is not enough power behind it to drive the really low end sounds. If you are going to pay 1000 dollars for this sub you mine as well save a little more and upgrade to the “Pro” model which cost a few hundred dollars more but it is well worth the extra money spend considering the sound that you will get and you will get more power out of it.
This woofer has a 36mm pole mount insert and metal handles for carrying it. It does still weight 70 pounds which is almost as much as the Pro model is. This sub does seem to be pretty durable though, if used as a floor sub it will not slide on you because it has rubber grips on the bottom which come in handy because when subs start booming they can slide on a hard slick surface.
The sound quality of this amp is good, the lows are clean but it does not reach the very low tones like the Pro model. I do not recommend getting this; unless you cannot not afford to pay the extra money for the Pro model. To me this woofer is really a waste of time considering how great the next version up is. This is the type of subwoofer that is great for small venues but in a larger venue the bass will not be present because it cannot handle a larger space. But if you get the Pro model it will sound great in a smaller space and even a larger space or outdoors.
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